Trivia: Chicago-born Robert Young carried his inbred "never give up" work ethic into his training at the Pasadena Playhouse. After a few movie-extra roles, he was signed by MGM to play a bit part as Helen Hayes' son in 1931's Sin of Madelon Claudet. At the request of MGM head Irving Thalberg, Young's role was expanded during shooting, thus the young actor was launched on the road to stardom (his first-released film was the Charlie Chan epic Black Camel [1931], which he made while on loan to Fox Studios). Young appeared in as many as nine films per year in the 1930s, usually showing up in bon vivant roles. Alfred Hitchcock sensed a darker side to Young's ebullient nature, and accordingly cast the actor as a likeable American who turns out to be a cold-blooded spy in 1936's The Secret Agent. Some of Young's best film work was in the 1940s, with such roles as the facially disfigured war veteran in The Enchanted Cottage (1945) and the no-good philanderer in They Won't Believe Me (1947). In 1949, Young launched the radio sitcom Father Knows Best, starring as insurance salesman/paterfamilias Jim Anderson (it was his third weekly radio series). The series' title was originally ironic in that Anderson was perhaps one of the most stupidly stubborn of radio dads. By the time Father Knows Best became a TV series in 1954, Young had refined his Jim Anderson characterization into the soul of sagacity. Young became a millionaire thanks to his part-ownership of Father Knows Best, which, despite a shaky beginning, ran successfully until 1960 (less popular was his 1961 TV dramedy Window on Main Street, which barely lasted a full season). His second successful series was Marcus Welby, M.D. (1968-1973). Young's later TV work has included one-shot revivals of Father Knows Best and Marcus Welby, and the well-received 1986 TV-movie Mercy or Murder, in which Young essayed the role of a real-life pensioner who killed his wife rather than allow her to endure a painful, lingering illness. Young passed away from respiratory failure at his Westlake Village, CA, home at the age of 91.

Trivia: Endearing herself to television audiences as the devoted sitcom wife of Robert Young on Father Knows Best, petite brunette actress Jane Wyatt also essayed frequent big-screen roles highlighted by memorable performances in such films as Lost Horizon (1937), in which she plays Sondra, the lover of Robert Conway (Ronald Colman). Born in Campgaw, NJ, on August 12, 1910, to an investment banker father and a drama critic mother, and raised as a Manhattanite from age three, Wyatt received her formal education at the Chapin School and -- very briefly -- at New York City's Barnard College, where she spent two listless years. Following the irresistible call of the stage, Wyatt bucked university life in favor of honing her acting skills at Berkshire Playhouse in the western Massachusetts community of Stockbridge. Shortly after this, she accepted a position as understudy to Rose Hobart in a Broadway production of Trade Winds. Universal soon took note of Wyatt's talents and offered her a film role, in Frankenstein director James Whale's One More River (1934). Wyatt embarked on a lucrative screen career following her impressive debut, and many consider the performance in Lost Horizon her crowning achievement, though additional cinematic work throughout the 1940s proved both steady and rewarding. Following memorable performances in Clifford Odets' None But the Lonely Heart (1944) (alongside Cary Grant) and Elia Kazan's Gentleman's Agreement (1947, with Gregory Peck and Dorothy McGuire), the now-established actress transitioned smoothly into television in the early '50s, given her standing role as the matriarch of the Anderson family (mother of Bud, Princess, and Kitten, and wife of Jim) on the long-running CBS sitcom Father Knows Best. Wyatt deservedly won three Emmys for that role, and remained with the program over the course of its six-year run of original episodes. (Riding the crest of high ratings, CBS stretched prime-time reruns into the spring of 1963.) This marked the only major recurring prime-time role of Wyatt's career, though (alongside the work of others such as Barbara Billingsley and Harriet Nelson) it did much to establish the now-iconic image of the "archetypal 1950s sitcom mother," and earned the actress a beloved spot in American pop-culture history. In addition to this, Wyatt made occasional appearances, during the Father Knows Best run, on a dramatic anthology series headlined by her small-screen husband, Robert Montgomery Presents (NBC, 1950-1957). Six years after new episodes of Father wrapped, Star Trek landed on NBC, and Wyatt turned up occasionally on that program, as Mr. Spock's mother, Amanda Spock. She also made a guest appearance, alongside the late Bob Cummings, on the early-'70s comedic anthology series Love, American Style (the two play parents who are overanxious about their daughter's decision to embark on a European "swingers' holiday" with a boyfriend). If the preponderance of Wyatt's roles in the '70s, '80s, and '90s were largely supporting turns, it certainly said nothing about the actress' talent. She remained in the public eye as a fixture of such made-for-television features as You'll Never See Me Again (1973) and Amelia Earhart (1976). Though she entered semi-retirement in the late '70s, Wyatt later appeared (very infrequently) as an occasional supporting character in television's St. Elsewhere and reprised her role as Spock's mother in Star Trek IV: The Voyage Home (1986).On October 20, 2006, after years of inactivity, Jane Wyatt died of natural causes in her sleep, at her home in Bel Air, CA. She was 96.

Trivia: Elinor Donahue's mother, a theatrical costumer, moonlighted as a department store saleswoman in order to pay for her daughter's dancing lessons. Appearing in dancing-chorus film roles from the age of five, Donahue was at one point a ballet-school classmate of future Fred Astaire partner Barrie Chase. Striking out on her own at 12, Donahue attained work as a Las Vegas showgirl at 14; the fact that she was underage was discreetly covered by her agent and her co-workers, who took a paternal interest in the impressionable young dancer's career. Breaking her ankle at 16, Donahue decided to forego dancing in favor of acting; she was almost immediately cast in the role of sensitive teenager Betty Anderson in the long-running (1954-60) sitcom Father Knows Best. It was the first of many TV stints for Donahue; over the next three decades she would appear as a regular on such series as The Andy Griffith Show, Many Happy Returns, The Odd Couple, Mulligan's Stew, Please Stand By and Doctor's Private Lives. She became a special favorite of writer/director Savage Steve Holland, who cast Donahue as the ditsy mother of a teen-aged secret agent on the 1987 Fox network series The New Adventures of Beans Baxter, and as the voice of a suburban mom who spends her waking hours trying to learn an indecipherable foreign language on Holland's cartoon series Eek! The Cat. This fey, eccentric quality was carried over into Donahue's performance as the eternally bathrobe-clad wife of Bob Elliot and mother of 30-year-old paperboy Chris Elliot on the 1990 Fox sitcom Get a Life. Donahue's film appearances have been less frequent; when she showed up in a cameo as a department store clerk in Gary Marshall's Pretty Women (1987), there was an audible appreciative sigh of recognition from movie audiences everywhere. Elinor Donahue was the wife of Columbia TV executive Harry Ackerman from 1961 to Ackerman's death in 1991.

Trivia: Juvenile actor Billy Gray began appearing in movie bit parts at age 5. The best-remembered of his 1950s film appearances were in The Day the Earth Stood Still (1951) as the inquisitive son of Patricia Neal; On Moonlight Bay (1952), as Booth Tarkington's Penrod; and The Seven Little Foys (1955), in which he played the teenaged version of future film producer Bryan Foy. Billy was slated to portray Tag Oakley on the 1953 TV western Annie Oakley, but instead opted to co-star as Bud Anderson on the long-running Father Knows Best (1954-60). His appearances in film and on television became sporadic after the 1950s.

Trivia: Sued by her mother for $90,000 in earnings (held in trust) from Father Knows Best, ultimately leaving her with just $19,000. Authored a memoir titled Father Does Know Best: The Lauren Chapin Story in 1988, which boosted her career as a guest speaker. Has advised a number of actors and singers, including Jennifer Love Hewitt, on the difficulties of show business. Named an "honorary mayor" in cities in Oklahoma, Texas and Florida for her charity work. Still portrays her Father Knows Best character Kathy (or "Kitten") Anderson in interactive shows on cruises and other entertainment venues. Supports several charities benefiting underprivileged and abused children.

Trivia: To hear him tell it, Robert Vaughn has spent most of his acting career getting very well paid for being artistically frustrated. Born in Manhattan and raised in Minnesota, Vaughn went straight from college drama classes to his first film, the juvenile delinquent opus No Time to Be Young (1957). Ever on the search for "meaningful" roles, Vaughn signed to play a survivor of a nuclear apocalypse in what he assumed would be a serious, politically potent drama: the film was released as Teenage Caveman (1957). Though Oscar-nominated for his performance as a crippled, alcoholic war veteran in The Young Philadelphians (1959), Vaughn didn't rise to full stardom until 1964, where he was signed to play ultra-cool secret agent Napoleon Solo in the TV espionage series The Man From U.N.C.L.E. (1964-1968). He swore at that time that he'd never, ever subject himself to the rigors of another television series, but in 1972 he was back to the weekly grind in the British series The Protectors. In films, Vaughn has been most effective as an icy, corporate heavy, notably in Bullitt (1968) and Superman III (1982). On-stage, Vaughn has exhibited a special fondness for Shakespeare (Hamlet in particular); he was given an excellent opportunity to recite the Bard's prose on film when he played Casca in Julius Caesar (1970). A dyed-in-the-wool liberal activist, Vaughn worked on his Masters and Ph.D. in political science at L.A. City College during his U.N.C.L.E. years; his doctoral thesis was later expanded into the 1972 history of the HUAC, Only Victims. Vaughn later had several recurring roles on TV shows like The Nanny and Law & Order and the British series Hustle and Coronation Street. He died in 2016, just shy of his 84th birthday.