Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: Possibly Ireland's hottest cinematic export since Liam Neeson got his kilt off in Rob Roy, Colin Farrell enjoyed a generous helping of trans-Atlantic buzz for his work in Joel Schumacher's 2000 military drama Tigerland. Previously known in his native Ireland for supporting parts in film and television productions, Farrell earned both industry recognition and international heartthrob status for his portrayal of a young drifter recruited to fight in the Vietnam War, winning over critics and audiences with talent, charisma, and his fearless assumption of a Texan accent.The son of famed footballer Eamon Farrell, Farrell was born in Dublin, on May 31, 1976. Growing up, he planned to follow in the footsteps of his father and an uncle, who was also a well-known footballer in the 1960s. However, Farrell's plans changed when, while he was still in high school, his sister enrolled in acting classes at Dublin's Gaiety School of Drama. His interest piqued, the nascent actor followed suit, signing up for classes at the Gaiety School and then making his film debut in a low-budget production called Drinking Crude before he even made it to the Gaiety's classrooms.Having dropped out of high school in order to pursue acting, Farrell dropped out again -- this time from the Gaiety -- after a successful audition for the Irish TV series Ballykissangel. Joining the show in 1996, he earned a degree of fame in his native country, which opened the door for further work in the U.K. In 1999, he could be seen in the family drama The War Zone, Tim Roth's directorial debut, and on TV in Love in the 21st Century, a segmented series that also featured such up-and-comers as Ioan Gruffudd and Catherine McCormack.His first glint of overseas recognition came the following year, when Farrell was cast in a supporting role in Thaddeus O'Sullivan's Ordinary Decent Criminal, an Irish gangster drama starring Kevin Spacey and Linda Fiorentino. Criminal, which didn't fare well on U.S. shores, was quickly followed by Joel Schumacher's Tigerland. Although the low-key ensemble film, which was set in a Louisiana boot camp in 1971, received a lukewarm reaction from critics and audiences, Farrell's performance was the subject of almost ubiquitous praise. Quickly labeled as one of the most exciting new actors to be detected by the Hollywood radar, the young Dubliner subsequently found himself enmeshed in the distinctly American phenomenon of almost overnight success; before the year was out, he had secured starring roles in a number of projects, including American Outlaws, in which he starred as Jesse James alongside Scott Caan and Kathy Bates, and Joel Schumacher's Phone Booth, a thriller about a young man (Farrell) fighting for his life inside the titular enclosure. Although the long-delayed Outlaws did little for Farrell's career, far more ticket buyers were able to see the young actor alongside Bruce Willis in the somber POW drama Hart's War in early 2002. The following year, Farrell was virtually unavoidable. Not only did 2003 see the release of the aforementioned The Phonebooth, is also found the actor on the right side of the law in both The Recruit and SWAT and on the wrong side as the villainous Bullseye in the comic book superhero film Daredevil. As if the year was busy enough, he also turned up in a pair of smaller films, Veronica Guerin and Intermission.The two ensuing years might not have seen Farrell churning out a half-dozen pictures apiece, but he continued to grow in stature, first with a supporting part in the indie period piece A Home at the End of the World, then the title role in Oliver Stone's ambitious flop Alexander (both 2004). Indeed, Farrell's most notorious appearance around this time was, like so many before him, in a much-circulated sex tape leaked on the Internet. Two major roles in films by well-respected directors followed: The lead in Terrence Malick's critically-acclaimed but, again, little-seen The New World (2005), and the challenging role of author Arturo Bandini in Robert Towne's Ask the Dust. 2006 brought Michael Mann's much-anticipated remake of his own groundbreaking '80s TV show, Miami Vice, which he quickly followed with a turn in Woody Allen's Cassandra's Dream, as well as the critically acclaimed crime comedy In Bruges in 2008.Having all but completely cemented his position in Hollywood, Farrell joined the ranks of other leading men like Johnn Depp and Jude Law, who all stepped in to play various incarnations of the universe-hopping protagonist in Terry Gilliam's The Imaginarium of Doctor Parnassus, filling in for the film's original lead Heath Ledger, who died tragically, midway through filming. Farrell would spend the coming years enjoying a variety of projects, most notably in movies like Crazy Heart, Horrible Bosses, and Fright Night.

Trivia: As legend has it, when director Karyn Kusama was casting the lead for her directorial debut, Girlfight, she wanted to find a young woman who would radiate the powerful, surly charisma of the young Marlon Brando. Her search for an actor with this enviable but elusive quality ended when Michelle Rodriguez, a 20-year-old Latina whose previous experience was limited to work as an extra, answered an ad in Backstage magazine that Kusama had posted. Cast as Diana Guzman, the fierce and vibrant protagonist of Kusama's story of a high school girl who takes up boxing, Rodriguez went on to earn almost universal acclaim for her powerful portrayal, winning the admiration of audiences and critics from Sundance to Toronto.Of Puerto Rican and Dominican descent, Rodriguez was born in Bell County, TX, on July 12, 1978. She moved around throughout her childhood and adolescence, living for a time in Texas, Puerto Rico, the Dominican Republic, and Jersey City, NJ. It was while she was working as an extra in various film productions that she answered Kusama's ad for actors; after being cast as Girlfight's protagonist, she trained intensively to condition her body like that of a boxer to such a degree that, at one point, she was even asked to go pro. Her dedication to the physical and emotional demands of her character paid off lavishly, when Girlfight premiered at the 2000 Sundance Film Festival it received the Grand Jury Prize, with Rodriguez's performance singled out as one of the most exciting breakthroughs in years; among the many kudos she subsequently received was the National Board of Review's prize for Best Breakthrough Performance.Rodriguez's status as one of the year's New Hot Young Thangs on the Block was duly reflected by the attention she was subsequently paid in both the media and Hollywood. In the following year, her projects included Rob Cohen's The Fast and the Furious, an urban adrenaline extravaganza in which she played the tough girlfriend of a gang leader alongside Vin Diesel, Paul Walker, and Jordanna Brewster, and 3 A.M., a made-for-cable drama which cast her as a taxi driver and was screened at the Sundance Festival.Striving to maintain the balance between sexy and tough, Rodriguez would take on zombies in Resident Evil (2002) before hitting the waves in Blue Crush. Though neither film proved a bona fide box-office smash, they did offer the up and coming actress the exposure needed to develop an enduring career. Rodriguez could next be seen opposite Colin Farrell in the hard-hitting action thriller S.W.A.T. In 2005, Rodriguez appeared briefly on the first season of NBC's endlessly enigmatic primetime drama Lost as Ana Lucia Cortez, a tough cop with a shady past. She reprised the role in the following season, when she clashed heads with fellow flight survivor Jack (Matthew Fox) and struggled with her changing status within the group. The actress also starred in The Breed and Battle in Seattle, and co-stars as a tough-as-nails pilot in Avatar (2009), director James Cameron's science fiction adventure.

Trivia: Innovative rap music superstar LL Cool J made the successful transition to actor/musician in the 1990s, with several major films and a TV series to his credit. Born James Todd Smith in Queens, LL Cool J established himself as one of the major figures in rap music in the 1980s and '90s; he made his movie debut as himself in the 1985 rap movie Krush Groove. Although LL Cool J also appeared as himself in B.A.P.S. (1998), his 1990s movie career revealed that he had the acting chops to go with his musical talent. Following roles in the light-hearted cop movie The Hard Way (1991) and the ill-fated fantasy Toys (1992), LL Cool J spent four seasons as one of the stars of the primetime TV sitcom In the House (1995-1999). During his years on TV, LL Cool J also showed his dramatic versatility in the romantic comedy Woo (1998), crime dramas Caught Up (1998) and In Too Deep (1999), and horror sequel Halloween: H20 (1998). After starring as potential shark bait in the mutant mako actioner Deep Blue Sea (1999), he finished the decade by winning critical kudos as an immodest football player in Oliver Stone's sports drama Any Given Sunday (1999). Hit former career in music all but forgotten, LL Cool J would give action films a shot with Charlie's Angels (2000) and Rollerball (2002) before living up to his real life reputation as a ladies man in the comedy Deliver Us from Eva. Starring as the stud wrangled into taming Gabrielle Union's shrew Eva, LL Cool J notched his first romantic comedy lead and took another step away from his musical past by billing himself under his real name. Following the less than stellar Eva, LL Cool J added his voice to the animated Rugrats Go Wild (2003). Further bolstering his action movie credits (and returning to his street moniker), LL Cool J then joined the multicultural cast of Samuel L. Jackson's elite police squad in the summer popcorn movie S.W.A.T. (2003). Later, the rapper-turned-actor's role as Sam Hanna in a two-part 2009 episode of NCIS led to regular work on the spin-off series NCIS: Los Angeles, as well as a crossover appearance as the same character in the 2010 Hawaii Five-O revival.

Trivia: Endowed with the kind of dark, puppy-eyed, lanky looks that have often gotten him cast as sensitive, shy young men, actor Josh Charles first became known to audiences as sensitive, shy prep school boy Knox Overstreet in Dead Poets Society (1989). A native of Baltimore, where he was born September 15, 1971, Charles made his entrance into acting through stand-up comedy, which he began performing at the age of eight. He made his film debut in fellow-native son John Waters' Hairspray (1988), and following the success of Dead Poets Society the next year, earned a reputation as a member of the '90s version of the Brat Pack.Charles' subsequent film appearances were sporadic and in projects of wildly varying quality; ranking among his better-known work are Don't Tell Mom the Babysitter's Dead (1991), Threesome (1994), and the made-for-television Norma Jean and Marilyn (1996). In 1998, Charles was cast as one of the leads in the highly acclaimed TV show Sports Night, a sitcom revolving around the goings-on of a late night cable sports news program. Though Sports Night did indeed gain positive critical notice and a loyal fanbase for its smart writing and multi-dimensional characters, it was unfortunately cancelled before it really had a chance to fully develope. Hollywood did however take notice of Charles' talents as an actor, and the quality and substance of the roles he was being offered slowly began to rise. Following a pair of low-key roles in such indie dramas as Meeting Daddy (2000) and Our America (2002), Charles was cast in the high-profile action thriller S.W.A.T. Over the next several years, Charles would remain active on screen, appearing on TV series like In Treatment and The Good Wife and films like The Ex and Weakness.

Trivia: A former die-hard theater actor who made a comfortable transition to screens both big and small in the late '90s, Jeremy Renner drew praise and courted controversy with his portrayal of serial killer Jeffrey Dahmer. A California native, Renner discovered his love for acting while drifting through various majors at college. He dabbled in computer science and criminology before taking an acting class, and soon decided to double major in theater and psychology, the stage offering the struggling student a healthy outlet for his sometimes bottled emotions. After graduation, the aspiring actor moved to Los Angeles in hopes of finding work. A starring role in the play Search and Destroy (which he also co-directed) earned Renner positive notice from critics, and, in 1995, he made his feature debut in the critically panned gross-out comedy National Lampoon's Senior Trip. Numerous film and television supporting roles followed, including a 1999 guest-starring appearance as a former puritan turned menacing vampire on the popular WB series Angel. Three years later, and despite bearing almost no physical resemblance to the titular character, Renner's chillingly low-key performance as a true-life murderer and cannibal in the biopic Dahmer earned him an Independent Spirit Award Best Actor nomination. In 2003, he received more exposure in a role opposite Colin Farrell in the big-budget action thriller S.W.A.T. After taking the lead as an institutionalized member of the Aryan Nation in Neo Ned, he then stepped before the camera for Italian actress/director Asia Argento in J.T. LeRoy's 2004 screen adaptation of his story collection The Heart Is Deceitful Above All Things.Renner scored big roles in the drama North Country and the zombie sequel 28 Weeks Later before heading up the quirky TV cop show The Unusuals, which lasted only one season on ABC. However, his work in Kathryn Bigelow's The Hurt Locker, as a soldier who specializes in disarming IED's in Iraq, brought him stellar reviews and a number of industry accolades including Best Actor nominations from The Screen Actors Guild, the Independent Spirit Awards, and the Academy. He aslo won that very same award from numerous critics groups.Two years later he returned to the Oscar race for his supporting turn as Ben Affleck's best frined in The Town. He would follow that up with a pair of giant box office hits, co-starring opposite Tom Cruise in the fourth Mission: Impossible movie, and then taking the part of Hawkeye in The Avengers in 2012. That same year he would take over the part of Jason Bourne in The Bourne Legacy, and he lent his voice to the animated film Ice Age: Continental Drift. He appeared in the Academy Award-nominated American Hustle in 2013 and then filled his plate with sequels like The Avengers: Age of Ultron and Mission: Impossible 5.

Trivia: Grew up in Huntington Beach, Cal. An avid surfer since the age of 8, when his sister bought him his first surfboard. Acted in commercials to pay college tuition. Turned down the opportunity to study screenwriting at New York University.

Trivia: A trained pugilist who shifted to acting after an accident, Gallic heartthrob Olivier Martinez succumbed to mainstream Hollywood with his co-starring role in Adrian Lyne's erotic potboiler Unfaithful (2002).The son of a Spanish-Moroccan boxer and a French secretary, Martinez was born and raised in a working-class suburb of Paris. Though he aimed to follow the paternal tradition of becoming a professional fighter then a mechanic, Martinez's plans changed after he was injured in a car wreck. Passing an audition for the Conservatoire National Superieur d'Art Dramatique, Martinez began to study acting at age 23. Shortly after he finished school, Martinez's performance in a Paris production of Eugene O'Neill's play Desire Under the Elms landed him his first major film role, co-starring with French icon Yves Montand in Jean-Jacques Beineix's adventure IP5 (1992). Confirming his status as a rising French star, Martinez acted opposite Italian legend Marcello Mastroianni in Bertrand Blier's experimental Un, Deux, Trois Soleil (1993) and won the César for Most Promising Actor. Martinez's next film, The Horseman on the Roof (1995), though, earned him billing as the "French Brad Pitt." As an Italian revolutionary on the run in 19th century France, Martinez shared sizzling onscreen chemistry with co-star Juliette Binoche and got his first taste of tabloid attention when the two became an offscreen item as well. A European hit, The Horseman on the Roof also put Martinez on the American art-house map.Disdainful of Hollywood and hardly fluent in English, Martinez followed his Horseman triumph with a smaller role in Blier's black comedy Mon Homme (1996). Martinez hit the international art-house circuit again as a man who concocts an imaginary affair with the title character in Bigas Luna's The Chambermaid on the Titanic (1997), but his next European films, The Slammer (1999), The City of Marvels (1999), and Toreros (2000), did not have as much exposure. Martinez's career took another key turn, however, when he played the small but vital role of Lazaro in Julian Schnabel's superb biopic Before Night Falls (2000). As a friend deeply involved in Cuban writer Reinaldo Arenas' troubled life, Martinez earned accolades particularly for the restrained, moving death scene with star Javier Bardem. Softening his views on the U.S. during filming, aided perhaps by girlfriend and subsequent Semana Santa (2002) co-star Mira Sorvino, Martinez then starred in the American indie Western Bullfighter (2001). He won his first major Hollywood role when Lyne's daughter brought him to the director's attention. Though the part was originally written for an American, Lyne deemed Martinez a believable lust object for someone married to Richard Gere, altered the nationality, and Martinez became bored housewife Diane Lane's fatal attraction in Unfaithful. Continuing his run as foreign eye candy for women, Martinez was cast as Helen Mirren's Italian gigolo in the TV remake of The Roman Spring of Mrs. Stone (2002). Assuming the role of the Italian gigolo played by Warren Beatty in the feature film version, Martinez again revealed his gift for playing an alluring, cold-hearted paramour with his performance as older, wealthy lady Helen Mirren's fatal attraction. Adding another decidedly "Hollywood" project to his credits, Martinez subsequently ditched his Euro boy toy trappings and joined Colin Farrell, LL Cool J and Michelle Rodriguez on the crack police team organized by Samuel L. Jackson in the summer action movie S.W.A.T. (2003).Martinez found continued success throughout the 2000's and 2010's, most notably appearing in films like The Roman Spring of Mrs. Stone, The Snow Goose, Dark Tide, The Physician and Texas Rising.

Trivia: Moved to Germany from the United States at six years old. Was roommates with theater director Jim Simpson at Yale. Is an accomplished saxophonist. Taught drama to kids on a Navajo Reservation in Tuba City, Arizona. Made his Broadway debut in The Green Bird in 2000.

Trivia: Parents are Italian immigrants. Originally aspired to become a baseball player. At the age of 16, landed his first acting job after attending an open casting call for Robert De Niro's directorial debut, A Bronx Tale. Is often cast to play policemen, including his portrayal of Thomas "Herc" Hauk in the critically-acclaimed series The Wire and his role as Ira Hornstock in Rosewood.

Trivia: Made his on-screen debut on The Kennedys in 2001. Was replaced on Desperate Housewives by NaShawn Kearse after only a few episodes. Released a free mix tape on his website called Chronicles of U-Turn, named after his character on Weeds.

Trivia: A stage-trained actress whose brief foray in daytime drama eventually led her into a feature-film career, Lucinda Jenney's star has been on the rise since the early 1980s. Alternating effortlessly between television and film throughout the course of her career, the talented and attractive blonde actress always had a slant toward the dramatic. A Long Island-native whose impressive run in the Broadway production of Gemini (1977-1981) proved the catalyst for her subsequent onscreen career, Jenney's first feature roles came with the made-for-TV efforts First Steps and Out of the Darkness (both 1985). Roles in Peggy Sue Got Married (1986) and Rain Man (1988) were quick to follow, and, in 1989, the actress rounded out her impressive first decade as John Belushi's onscreen wife in the biopic Wired. Though the film was widely panned, it proved Jenney's most substantial role thus far and she escaped relatively unscathed. As the 1990s rolled in, she was nominated for a Best Actress Independent Spirit Award for her performance in 1993's American Heart and a recurring role on the television series High Incident found her gaining something of a following on the small screen. With her performance as one of Demi Moore's sole allies in G.I. Jane (1997), Jenney continued to balance bit roles in such efforts as Leaving Las Vegas (1995) and Thinner (1996) with meatier, more dramatically substantial parts. Supporting roles in high-profile Hollywood releases became increasingly common for Jenney, and following key roles in Thirteen Days (2000) and The Mothman Prophecies (2002), she joined the cast of the acclaimed police drama The Shield. The following year, Jenney appeared in the action thriller S.W.A.T.

Trivia: The younger brother of actor Dana Andrews, Steve Forrest served in World War II while his brother (17 years Steve's senior) was starring in such films as The Purple Heart (1944) and Laura (1944). Upon his return to America, Steve went to Hollywood to pay a social call on Dana, decided he liked the movie colony, and opted to stick around for a while. Though he'd previously played bits in such films as Crash Dive (using his given name of William Andrews), Forrest never seriously considered acting as a profession until enrolling at UCLA. He tried regional theatre work and scriptwriting then received a brief but showy bit part in MGM's The Bad and the Beautiful (1952). This led to further film work in second leads then several years' worth of villainous roles. When asked why he accepted so many bad-guy assignments, Forrest would cite the comment once made to him by Clark Gable: "The hero gets the girl but the heavy gets the attention". By 1969, however, Forrest felt as though he'd worn out his welcome as a heavy, and began regularly turning down roles, holding out for heroic parts. In 1975, he was cast as Lieutenant Dan "Hondo" Harrison on the popular TV action series S.W.A.T., which might have run for years had it not been axed under pressure from the anti-violence brigades. More recently, Steve Forrest lampooned his rugged, rough'n'ready image in the 1987 film comedy Amazon Women of the Moon.In the years to follow, Forrest would remain beloved for his man's man presence on screen, appearing occasionally on shows like Colombo and Murder, She Wrote. Forrest passed away in 2013 at the age of 87.

Trivia: With his rotund build and Eastern-European looks, Armenian-American player Ken Davitian seemed tailor-made for character roles. For the majority of his first decade onscreen, however, Davitian appeared in fairly lackluster movies, such as Talkin' Dirty After Dark (1991), Bikini Summer (1991), Sexual Intent (1994), and The Silence of the Hams (1994). His fate changed just a bit around the turn of the millennium -- first on the small screen, with guest appearances in such blockbuster series as ER and Gilmore Girls, and then cinematically, when Borat (2006) creators brought him on board that mockumentary farce as Azamat Bagatov, Borat Sagdiyev's (Sacha Baron Cohen) devoted producer (who performs a rather deviant and embarrassing act in a hotel room). Not long after, the producers of the 2008 big-screen vehicle Get Smart (based on the popular 1960s TV spy comedy) tapped Davitian for a choice role in that movie.

Trivia: Pleasant-looking and genial American character player Reed Diamond delivered a number of early performances prior to his first major assignment -- as Detective Mike Kellerman on the series Homicide: Life on the Street. Diamond carried the role from 1995 through 1998, and reprised it in Jean de Segonzac's 2000 feature Homicide: The Movie. After essaying the Lloyd Bridges role in that same year's telemovie remake of High Noon, Diamond then branched off into cinematic work. He was memorable as John Aaron in George Clooney's Edward R. Murrow biopic Good Night, and Good Luck., and lent supporting roles to the horror picture The Darkroom (2006) and the thriller Adrenaline (2007). Diamond continued to work on the small screen as well, playing Stuart Collins for many episodes of Judging Amy and appearing in episodes of such popular series as CSI, Law & Order, The West Wing, and Ghost Whisperer. In 2007, he scored a regular role on the short-lived sci-fi drama Journeyman, as Jack Vassar, the brother of main character Dan Vasser (Kevin McKidd). He also appeared in the first season of Joss Whedon's short-lived series Dollhouse in 2009, and the next year he landed a recurring part on the 8th season of the FOX action series 24. He returned to the big screen in 2011 playing Mark Shapiro in Moneyball, and returned to the Whedonverse with a role in the director's 2012 adaptation of Shakespeare's Much Ado About Nothing.

Trivia: Born in Puerto Rico, his parents were Canadian and moved the family back to Toronto when he was 13. Was a member of the high school swim team and student council. Enjoys collecting primitive art. Is a resident director at Theatre 40 in Beverly Hills. Established an acting scholarship at his high school. Is active in many charities, including Project Angel Food, the AIDS Project Los Angeles and the United Way.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: Sporting a Louisiana drawl and an all-American look, Ashley Scott took a fantastic gamble in the early '90s: at only 15 years old, she dropped out of secondary school, high-tailed it to New York, and roomed with several friends while seeking work on the side as a fashion model on the catalogue circuit. The risk paid off when Scott did indeed land a contract with a prestigious agency. Around seven years later, the up-and-coming superstar moved to the City of Angels and transitioned, seemingly without effort, to film roles. She debuted cinematically with a bit part in Steven Spielberg's well-received fantasy A.I.: Artificial Intelligence, and the exposure generated by that turn led to a regular role as Asha Copeland during the second season of the James Cameron-produced action series Dark Angel. When that show was canceled at the end of the season, Scott bounced back with another regular TV role, that of Helena Kyle (aka the Huntress) on the WB superhero series Birds of Prey (2002), but that series also folded rather quickly. Scott returned to films in 2003, and -- perhaps typecast for a brief period of time thanks to her Dark Angel/Birds of Prey work -- contented herself with a number of big-screen action and adventure roles in A-list features. These included S.W.A.T. (2003), Lost (2004), Walking Tall (2004), and Into the Blue (2005). In the process, Scott -- per the standard Hollywood progression -- ascended gradually to higher and higher billing. Back on the small screen, Scott took on a regular role on the cult series Jericho as Emily Sullivan. In 2007, she appeared in a small part in the action thriller The Kingdom. The next year, Scott began to stray from familiar genres with the adventure comedy Strange Wilderness, directed by Fred Wolf. As produced by Adam Sandler's Happy Madison Productions, the picture concerns a couple of animal nuts from a wildlife TV series who attempt to boost the show's ratings by journeying into exotic regions to find Bigfoot.

Trivia: A native of Silver Spring, MD, suave and clean-cut actor Michael Ealy appeared on-camera from the late '90s. He began on the small screen, with guest appearances on network programs including Law & Order and ER, but scored his breakout role with a much-favored turn as Ricky Nash, a convict-in-the-running with several past charges against him, in the predominantly African American ensemble comedies Barbershop (2002) and Barbershop 2: Back in Business (2004). The billing in these projects was somewhat prescient: Ealy continued to take challenging and unique supporting roles and gradually worked his way up the Hollywood ladder, openly declaring himself in no hurry to become a top-billed star. Additional projects included the action sagas 2 Fast 2 Furious (2003) and S.W.A.T. (2003) and the psychological thriller November (2003), but Ealy netted much greater acclaim -- and flexed some impressive dramatic muscle -- with his portrayal of Teacake in the Oprah Winfrey-produced telemovie Their Eyes Were Watching God (2005). He then landed the incredibly demanding and edgy lead role of Darwyn Al-Sayeed, a terrorist plotting an attack on the United States, in the Showtime original miniseries Sleeper Cell (2005). In 2008, Ealy starred opposite Will Smith and Rosario Dawson in the earnest suicide drama Seven Pounds, directed by Gabriele Muccino (The Pursuit of Happyness). Ealy took on a leading role as a Bishop hiding in a small Italian village that opposes the Nazi cause in Spike Lee's acclaimed war drama Miracle at St. Anna (2008), and co-starred with Julianna Margulies and Michael J. Fox in the CBS television series The Good Wife the following year. In 2010 he played a supporting role in the crime thriller Takers, and starred in the romantic comedy Think Like a Man in 2010.

Trivia: Lead actor, onscreen from the '80s.