Trivia: It took versatile actor James Belushi several years to slowly come into his own, which wasn't an easy task following in the fiery footsteps of his flamboyant, self-destructive brother, the late comic John Belushi. Despite that obstacle, the easy-going actor with the crooked smile still managed to forge a respectable career playing co-leads in a variety of film genres, including comedy, action, and drama in roles ranging from a sleazeball thief to a cop to a party animal in a gorilla suit. Prior to his first television appearances, the Chicago-born actor earned a degree in Speech and Theater, and worked on-stage in The Pirates of Penzance and True West. Like John, James joined the notorious Second City improvisational comedy group. He also began making regular guest appearances on Saturday Night Live, where his brother became famous in the mid-'70s. Making his feature film debut playing James Caan's calm partner in 1981's Thief, James Belushi began acting under John Landis (who also directed his brother) in Trading Places (1983). He continued playing supporting roles and occasional leads -- most notably in Oliver Stone's Salvador with James Woods in 1986 -- but his big break came when he played a bad cop in 1988's Red Heat with Arnold Schwarzenegger. He was equally popular in K-9 the following year. Although his subsequent films were not as successful, Belushi continued to grow as a dramatic actor. In 2001, Belushi began headlining the successful ABC sitcom According to Jim.

Trivia: Blonde, slim, and polished television actress Courtney Thorne-Smith first appeared as Stacy Hamilton on Fast Times, the television series spin-off of the successful teen movie Fast Times at Ridgemont High. She made her film debut in the sports comedy Lucas, which also starred the rising young stars Winona Ryder, Corey Haim, and Charlie Sheen. When she did work on films, they were mostly lightweight comedies like Welcome to 18, Summer School, and Revenge of the Nerds II: Nerds in Paradise. Back on television, she appeared in the short-lived sitcom Day by Day and some TV movies before joining the cast of L.A. Law as Kimberly Dugan. Staying with TV dramas, she played Alison on the FOX soap opera Melrose Place from 1992-1997, and then she joined the cast of Ally McBeal and its truncated spawn Ally as Georgia Thomas. She also appeared in the Carrot Top movie Chairman of the Board. After a few guest-starring roles on Spin City, she moved over to ABC for the family sitcom According to Jim as Jim Belushi's wife, Cheryl.

Trivia: Though she worked consistently throughout the 1990s, Kimberly Williams made her biggest impression on movie audiences as the sweet ingenue in the remake of Father of the Bride (1991). Raised in New York, Williams began acting in commercials as a teenager. During her second year at Northwestern University, Williams got her feature film break when she was cast as protective father Steve Martin's soon-to-be-married daughter Annie in the (slightly) modernized version of the popular 1950s comedy Father of the Bride. Though the movie became a hit, Williams chose to finish college rather than head immediately to Hollywood, appearing only in the gentle nostalgia piece Indian Summer (1993) before she earned her degree. After school, Williams reunited with screen parents Martin and Diane Keaton to play the now-expectant mother Annie in the genial sequel Father of the Bride II (1995). Moving beyond gentle, crowd-pleasing comedy, Williams co-starred with TV heartthrob Jason Priestley in the hitman black comedy Coldblooded (1995), played Emilio Estevez's sister in the Vietnam drama The War at Home (1996), and appeared in the TV version of the Neil Simon play Jake's Women (1995). Williams' doe-eyed earnestness also won over a cadre of fans when she was cast as the female lead in the Edward Zwick/Marshall Herskovitz series Relativity in 1996, but the critically acclaimed show lasted only one season. Along with acting in Broadway and off-Broadway plays in the late '90s, Williams also played the young Sharon Stone in the film version of Sam Shepard's Simpatico (1999), joined the ensemble cast of the romantic comedy Just a Little Harmless Sex (1999), and starred as a contemporary young woman transported to fairytale land in the splashy NBC miniseries The 10th Kingdom (2000). That assignment seemed prophetic in retrospect, for Williams subsequently gravitated toward television projects and away from the big screen; she played Dana, sister-in-law of the titular suburbanite (Jim Belushi) on the popular ABC sitcom According to Jim (2001), and also began accepting leads in longform features. The majority of these projects constituted sentimental, family-friendly melodramas, such as the 2001 Follow the Stars Home (with Williams as a young woman deserted by her husband after she gives birth to a deformed baby) and the 2002 outing The Christmas Shoes (as a mother dying of congenital heart failure). Also in 2002, Williams turned up in Rodrigo García's drama Ten Tiny Love Stories, as one of several characters who deliver heartfelt monologues on their romantic lives. She married country singer Brad Paisley in 2003 and they have two children. Her film and television career includes Identity Theft, How to Eat Fried Worms, Eden Court, and Amish Grace.

Trivia: Chris Elliott may have been born with a funny spoon in his mouth -- he's the son of Bob Elliott, the more deadpan half of the famous comedy duo Bob and Ray -- but he's developed his own offbeat brand of humor and gained his own substantial cult following. Elliott began his show business career as a standup comic, but he first gained public attention as a writer and performer on Late Night With David Letterman, helping that show define a new age of ironic comedy, and winning two Emmys as part of Letterman's writing team. Elliott played the sarcastic firebrand to Letterman's perturbable Midwestern reserve. He starred in sketches as the Panicky Guy, the Fugitive Guy, and the Guy Under the Seats, a character who lived in a cramped passageway underneath the audience, and would occasionally interrupt the show to chat with Letterman. As a result of Elliott's growing popularity on Late Night, his acting career took off. Or, to be more precise, he got bit parts in Michael Mann's Manhunter, James Cameron's The Abyss, and the Francis Ford Coppola segment of New York Stories. Elliott also went on to star in two hilarious, but little-seen half-hour comedy shows for Cinemax. FDR -- A One Man Show featured Elliott playing Chris Elliott, a pompous egomaniacal actor portraying FDR in a one-man show of tremendous historical inaccuracy, while Action Family economically combined satire of TV police dramas with a satire of a typical living room family sitcom. Around this time, Elliott published a Mommy Dearest-style mock exposé about his childhood, Daddy's Boy: A Son's Shocking Account of Life With a Famous Father, which featured chapter-by-chapter rebuttals from his father, Bob, and a foreword by David Letterman.In 1990, Elliott, with help from talented collaborators like David Mirkin, Bob Odenkirk, and Adam Resnick, starred in a bizarrely funny sitcom, Get a Life. The character Elliott played, Chris Peterson, a 30-year-old paperboy, was not a far cry from his previous television personae. Peterson was a dimwitted, balding, doughy, sarcastic, celebrity-worshipping dolt, with a hilariously high degree of self-regard. He was an utter failure who somehow convinced himself he was doing great. Bob Elliott played Chris Peterson's father on the show. The mucky mucks at the fledgling Fox network didn't understand the show, and were hoping Peterson would be cuddlier. Elliott would later remember a network exec optimistically comparing the character to "Tom Hanks in Big." The show had disastrous ratings. Despite support from savvier TV critics, Fox gave up on the show quickly, and canceled Get a Life after two seasons. The show had gained a passionate cult following and some episodes were eventually released on DVD and syndicated briefly on the USA Network. Get a Life was later recognized for its influence on other, more successful programs, including The Simpsons and South Park.Elliott also had key supporting roles in the smash hit Groundhog Day, opposite Bill Murray, and in the unsuccessful rap mockumentary CB4 with Chris Rock. In 1994, he joined the cast of Saturday Night Live. Despite the addition of other talented comic actors (Randy Quaid, Michael McKean, and Janeane Garofalo), it was a dismal season, and Elliott was put off by the lack of collaborative spirit among some of the long-term cast members. He moved on after one season.This was also the period of Elliott's greatest professional disappointment -- the failure of the feature film he co-wrote and starred in, Cabin Boy. His frequent collaborator Adam Resnick co-wrote the film, and, at the urging of producer Tim Burton, also directed it. Letterman makes a brief, but very funny cameo appearance. The film has developed a small cult following, particularly among devotees of Get a Life, but it was a box-office flop. While the filmmakers themselves have acknowledged that Cabin Boy fell short of their expectations, Elliott was stung by the viciousness of the reviews. Elliott went through a creative dry spell after this, appearing in a recurring role in the Tea Leoni sitcom Flying Blind, and gaining more national visibility as a spokesman for Tostitos snack chips. He also continued making guest appearances on a variety of sitcoms. Since then, Elliott has appeared in supporting roles in a number of silly comedies (Snow Day, sequels to The Nutty Professor, and Scary Movie) and has developed a fruitful relationship with the Farrelly brothers, appearing in Kingpin, Osmosis Jones, and, most notably, in their smash hit, There's Something About Mary. He was also heard as the voice of Dogbert on the short-lived animated series, Dilbert, and he was a regular on the appropriately named, ill-fated Steven Weber series, Cursed.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.