Trivia: American actor Jamie Farr was the only son of a Lebanese butcher living in Toledo, Ohio. An easy target for bullies due to his short stature and large nose, Farr became the neighborhood clown to save himself from physical abuse. Humor gave him confidence, and by the time Farr graduated from high school he was a top student, extremely popular and active in numerous extra-curricular activities. Always a big movie fan, Farr harbored dreams of being an actor, and to that end studied at the Pasadena Playhouse. In 1955, Farr was cast in his first film (still billed under his own name, Jameel Farrah), The Blackboard Jungle, playing a redeemable hoodlum named Santini; shortly thereafter, he was cast in the Broadway production of No Time for Sergeants, just before he was drafted. The two years in the Army upset the momentum of Farr's career, and he found himself from 1958 through 1971 rebuilding himself from the ground up in bits and supporting roles. (Farr was not in Santa Claus Conquers the Martians during this period, as has often been reported; the cast of that turkey included a Broadway actor named Al Nesor, who bore a startling resemblance to Farr and played many of the same type roles). One of Farr's one-day bits was for the sixth episode of the new TV series M*A*S*H in 1972; Farr had the almost wordless role of a GI who dressed in women's clothing in hopes of getting out of the Army. The character of "Corporal Klinger" was meant to be a onetime joke, but the producers of M*A*S*H sensed possibilities in the character. By Season Two of M*A*S*H, Farr became a full supporting character; by Season Three he was being given co-starring billing in the series' opening credits sequence. After misguidingly "camping" the character in the earliest rehearsals, Farr played Klinger "straight" in every sense of the word: Neither gay nor transvestite, Klinger was simply a guy who'd go to great extremes to get out of military service. Gradually the character began to become fashion conscious, and before the eighties were over Klinger was making several fashion lists as one of the best-dressed characters on TV! Farr's role was expanded when Gary Burghoff left M*A*S*H in 1979; promoted to company clerk, Klinger began to thrive in the military, and the outrageous costuming was allowed to lapse. By the time M*A*S*H left the air, Klinger had taken a Korean wife, and Jamie Farr had become a true-blue celebrity. Unfortunately neither Farr nor Klinger were able to extend their audience appeal into the sequel series After M*A*S*H, not even when the scripts contrived to have Klinger become a fugitive from justice in a move to repeat his "outsider" status on M*A*S*H. Nonetheless, Jamie Farr has kept busy in the years following the cancellation of After M*A*S*H in 1984 with TV guest spots and stage appearances in such roles as Ali Hakim in Oklahoma and Evil Eye Fleegle in Li'l Abner. Farr would continue to appear regularly on screen in the years to come, appearing in movies like Scrooged, and on TV shows like Diagnosis Murder and Mad About You.

Trivia: Comedian Vicki Lawrence got her big break in show business with a prominent role on the 70's sketch comedy series The Carol Burnette Show. The California native was particularly popular for her recurring character of "Mama," which earned her a successful spin-off, the sitcom Mama's Family, which ran from 1986 to 1990. She would go on to also enjoy runs on shows like Hannah Montana, and also had a career as a successful singer, reaching number one in 1973 with the song "The Night the Lights Went Out in Georgia".

Trivia: Of all the "break out" performers from the series The Facts of Life, Mindy Cohn was the most improbable. The others were all child actors with experience in performing, but Cohn never trained as an actress and knew little or nothing about the series when she first came to the attention of the producers. Born in Los Angeles, she was an ordinary high school student attending the Harvard-Westlake School when the makers of The Facts of Life, planning their first season, arrived there to observe and photograph an actual girls' school in operation. It was reportedly series star Charlotte Rae who first spotted Cohn, a student at the school, entertaining some friends, and brought her to the attention of the producers. All involved agreed that she was a "natural," one of those uncanny, untrained individuals who simply looked good and memorable and funny in front of the camera, in a manner comparable to the child performers they had already cast, and with that ability added something extra special in terms of verisimilitude -- and a good deal of wry humor -- to the cast they already had. And so Cohn was cast as Natalie Green and was one of the three original young first-season cast members to get spotlighted when the program moved to its second season, achieving stardom in the course of a seven-season run for the series. One very ironic moment came later in the run of the show when Cohn, who had always been on the heavy side and whose character had been conceived with that as an attribute, began to slim down. According to Cohn, in an interview for the DVD release of the first two seasons, the producers actually asked her to put the weight back on, if possible; when she refused, they came up with a compromise by having her character dress in clothes that made her look like she was still overweight. Since the series ended production, she has somewhat limited her acting work while earning a degree in cultural anthropology. Cohn has specifically taken parts that were devised to capitalize on her work from the series and has still found enough roles to keep her occupied. She has also been extremely busy as a voice artist, including portraying the role of Velma on Scooby-Doo.

Trivia: Originally aspired to be an evangelistic singer. Caught the acting bug in high school when he played the dad in Bye Bye Birdie. Attended Oklahoma Baptist University on a music scholarship, but departed for Los Angeles after a couple of years. Big break came when he landed the role of Monroe Ficus on Too Close for Comfort in 1980. Famously paired with Tammy Faye Messner for a 1996 talk show titled The Jim J. and Tammy Faye Show. Has played five different roles in theatrical productions of Hairspray, most notably on Broadway as Wilbur Turnblad. Is an active AIDS advocate and has been HIV-positive for more than 20 years.

Trivia: The son of character actor Ed Begley, Sr., he began acting while still a teenager, appearing on the TV series My Three Sons when he was 17. Begley performed as a stand-up comic at colleges and nightclubs and worked briefly as a TV cameraman before landing a string of guest appearances on TV series such as Happy Days and Columbo. He debuted onscreen in Now You See Him, Now You Don't (1972), going on to play small roles in a number of minor films; by the mid '70s he was getting somewhat better roles in better films. Begley became well-known in the '80s, portraying Dr. Erlich on the TV series St. Elsewhere; for his work he received an Emmy nomination. His success on TV led to much better film roles, but he has never broken through as a big-screen star.

Trivia: The "watershed moment" for American actor Anson Williams arrived in February 1972. On a seemingly minor and inconsequential note, Williams -- then a 22-year-old, aspiring actor -- signed to appear opposite TV vet Ron Howard on a one-shot episode of the anthology series Love, American Style. Entitled "Love and the Happy Days," the segment featured two characters named Richie and Potsie -- a rather conservative teen and his "experienced" pal, attending high school together and coming of age in 1950s Milwaukee. The ratings for that episode rocketed off the charts, and prompted series producers to spin off a sitcom entirely devoted to the said adolescent friendship. And yet, though Happy Days premiered in January 1974 and ran for 11 seasons to consistently sensational ratings (virtually becoming an American pop-culture phenomenon), Williams and the Potsie character soon paled in comparison to the dynamism of Henry Winkler's rebel Fonzie -- carrying the show off in a much different direction than that originally intended. Williams nevertheless stuck with Happy Days through the end of its tenth season, and continued to pursue additional roles, though subsequent efforts (such as a turn in the dull telemovie I Married a Centerfold) never even came close to generating as much exposure as Days. Perhaps for this reason, Williams (like Henry Winkler, in fact) stepped behind the camera and began helming television projects -- initially, prime-time feature soapers (Little White Lies, All-American Murder), then, as the years rolled on, episodes of hit series including Xena: Warrior Princess, Hercules: The Legendary Journeys, and Star Trek: Voyager. In the early 2000s, Williams also directed episodes of the popular Disney Channel series Lizzie McGuire, starring Hilary Duff.

Trivia: Actress Betty White got her start in local Los Angeles television as the "telephone girl" for video emcee Al Jarvis. By early 1950 she was one of the stars of the daily, five-hour series Hollywood on Television. One of the highlights of this program was a husband and wife sketch titled "Life With Elizabeth," which when committed to film and syndicated nationally in 1953 became White's first starring TV sitcom. She went on to headline her own network variety series in 1954, then co-starred with Bill Williams in the weekly TV domestic comedy Date With the Angels (1957), which without Williams was retitled The Betty White Show in early 1958. For the next 15 years she made guest appearances on various variety and quiz show efforts, and toured the straw-hat theatrical circuit in such plays as Critics Choice and Who Was That Lady, often appearing opposite her husband, TV personality Allen Ludden. Two years after hosting the 1971 syndicated informational series The Pet Set, she guest-starred as libidinous "Happy Homemaker" Sue Ann Nivens on the fourth season opener of The Mary Tyler Moore Show. This Emmy-winning episode led to White being cast as an MTM regular; she remained with the series until its final episode in 1977. She then starred on her own short-lived sitcom (again titled The Betty White Show) before returning to the guest-star circuit. In 1985, she joined the cast of TV's The Golden Girls as middle-aged grief counselor Rose Nyland. This top-rated program lasted seven seasons before metamorphosing into the rather less successful Golden Palace (1992). White was a regular on the 1995 series Maybe This Time, and in 1997 she won an Emmy for her one-shot appearance on The John Laroquette Show. She was in the films Hard Rain and The Story of Us, as well as Lake Placid. In 2003 she was cast in Bringing Down the House, and in 2008 provided a voice for the American version of Ponyo. White developed a new generation in fans when she became the subject of a successful online campaign to get her to host Saturday Night Live - which she did in 2010, along with winning the SAG award for Life time Achievement. The year before, she had a part in the hit Sandra Bullock vehicle The Proposal. She also became the star of year another successful TV show when she was cast in the female-centric sitcom Hot in Cleveland. She lent her voice to the 2012 adaptation of The Lorax.

Trivia: Having caught the theatrical bug early in life, Charles Nelson Reilly studied for his craft at the Herbert Berghof-Uta Hagen studio. While scrounging for acting jobs in the 1950s, Reilly supported himself as an usher, mail clerk and hospital orderly. In 1960 he was cast in a minor role in the Broadway musical Bye Bye Birdie, understudying stars Dick Van Dyke and Paul Lynde. The following year, he played nasty "corporate nephew" Bud Frump in the Pulitzer Prize-winning musical How to Succeed in Business Without Really Trying, a characterization that won him a Tony Award. In 1964, he received the New York Critic's Circle award for his work as juvenile lead Cornelius Hackel in Hello, Dolly. During this period, Reilly showed up in such Manhattan-based TV programs as The Steve Lawrence Show, and also performed a cabaret act with his friend Eileen Brennan. In 1968, he was cast as Cleymore Gregg in the network sitcom The Ghost and Mrs. Muir, a role that typed him ever after in fussy, snippy, sarcastic roles. He went on to appear in the comedy ensemble of the 1970s variety series Dean Martin Presents the Golddiggers; he starred in the Saturday morning kiddie shows Lidsville (1971-74) and Uncle Croc's Block (1975-76); and, along with Richard Dawson and Brett Sommers, he served as a semi-permanent panelist on the long-running quiz show The Match Game and as a staple on the game show The Hollywood Squares, where his flamboyant personality (he typically appeared wearing oversized glasses and a colorful ascot) became an audience favorite. Game shows, however, reportedly downgraded Reilly in the eyes of producers, and made it next to impossible for him to find a healthy amount of work. During the '80s and '90s, Reilly became active in the field of cartoon voiceovers, performing in such animated feature films as All Dogs Go To Heaven (1989), Rock-a-Doodle (1992) and The Troll in Central Park (1993), and in TV cartoons like Smurfs and Spacecats; he also appeared on The Tonight Show with Johnny Carson a record 95 times. On the theatrical scene, Reilly directed the one-person plays Belle of Amherst and Paul Robeson, and staged several operas throughout the U.S. Charles Nelson Reilly was the founder of The Faculty, a Los Angeles-based drama school.In the mid-2000s, Reilly headlined a one-man performance film, The Life of Reilly (2000). As co-directed by Barry Poltermann and Frank Anderson, the picture found the actor-comic sitting before an audience and expostulating at length on his long career in showbusiness, his open homosexuality, and - occasionally - how the two intersected in the early years by making it difficult for him to find work. The picture opened to critical raves but received extremely limited distribution in the U.S. Tragically, it marked Reilly's last major effort, and not one year later, the actor died from complications of pneumonia. He was 76.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Martha Smith is a model turned actress who has gone from being a Playboy centerfold to a talented comedic performer, as well as a writer and producer. Raised in Farmington, MI, Smith began modeling when she was 15, and graduated from doing auto shows to the big time in her late teens, during the early '70s, culminating with her appearance as Playboy's Playmate of the Month in July 1973. She moved to Los Angeles in the mid-'70s and landed a small role in the film The Winds of Autumn (1976), featuring Dub Taylor and Jeanette Nolan. She was signed to Universal and did a lot of television work over the next several years, playing lots of girlfriends of mobsters and a succession of murder victims, including an extended appearance in an episode of Quincy, M.E. in which she portrayed a corpse. National Lampoon's Animal House (1978) gave Smith her first important screen role as Babs Jensen -- Smith's vixenish coed ends up partly stripped in public during the comic denouement of the film, and, according to the movie, headed for a career as a tour guide at Universal Studios. In 1982, she won the role of Sandy Horton on Days of Our Lives, a part she portrayed for six months. Scarecrow & Mrs. King followed in 1983 -- Smith got the part of Francine Desmond, which made the most interesting use of her abilities of any project to date. Playing against her good looks and glamorous image, her character was the butt of many of the jokes and situations in the series for most of its four-year run, until the final season in which she was given the chance to play more straight action and suspense. Following the series' cancellation, Smith embarked on a singing career in tandem with Allman Brothers/Tubes alumnus Keith England, whom she later married. In addition to her acting, Smith has co-authored nonfiction books and produced made-for-television films.

Trivia: Long before Roseanne Barr's "domestic goddess," Phyllis Diller parlayed her life as a housewife into a profitable stand-up comedy career. The daughter of an insurance man, Phyllis Driver had hopes of becoming a concert pianist, and to that end attended Chicago's Sherwood Music Conservatory. Her zany behavior while attending Northwestern University and her 1939 elopement with her first husband Sherwood Diller put a temporary end to her musical career. Several years and many children later, a bored Diller went to work for the advertising department of a California department store, then got a writing job at an Oakland radio station. A knack for making people laugh at church and club functions prompted Diller (with her husband's encouragement) to set her sights on a comedy career. She studied acting and scrutinized the techniques of her favorite male comedians, finally making her nightclub debut in 1955 at San Francisco's Purple Onion, a progressive nightclub which presaged the "comedy workshops" of today. Eighty-nine additional weeks at the Purple Onion enabled Diller to hone her skills to perfection; her first comedy record album appeared in 1959, with numerous TV and stage appearances quickly following suit. Diller developed an outrageous comedy persona, complete with grotesque wigs, garish costumes and her trademarked cackling laugh. Though always a favorite with live audiences, Diller was never quite able to sustain her appeal on film: her 1966 TV series The Pruitts of Southhampton was unsuccessful, as was her only starring feature film, Did You Hear the One About the Travelling Saleslady? (1968). She fared somewhat better as a supporting actress in several Bob Hope comedy films of the late 1960s (Hope was a longtime Diller fan). In later years, Diller periodically altered her public personality, "improving" her plain but distinctive facial features with plastic surgery, concentrating more time on piano concerts and less on stand-up comedy and confining her TV appearances to Home Shopping programs and "psychic hotline" infotainment half-hours. Perhaps Phyllis Diller's "funny hausfrau" throne was eventually usurped by younger talents, but one must not forget that Diller was the one who stuck her neck out first, blazing the trail for the many Roseannes and Brett Butlers who followed.Her film work was sporadic but highlights include The Adding Machine and Did You Hear The One About the Traveling Salesman? as well as the documentaries Wisecracks and The Aristocrats, and the animated film A Bug's Life. Diller died in 2012 at the age of 95.

Trivia: Though many casual observers perceive that comic actor Tom Poston was "discovered" by Steve Allen in 1956, Poston had in fact been a performer long before Allen ever set foot on a stage. At age 9, Poston was a member of the Flying Zebleys, an acrobatic troupe. After Air Force service in World War II, he began his formal acting training at the AADA. Poston made his "legit" New York stage debut in Jose Ferrer's Cyrano de Bergerac (1947). With several years of stage work under his belt, Poston was engaged to host the local New York TV variety series Entertainment (1955), and it was this effort that brought him to the attention of Steve Allen. The story goes that Poston was so flustered at his audition for Allen's TV variety series that he forgot his own name when asked. From 1956 through 1960, Poston was seen along with Louis Nye and Don Knotts as a member of the Allen stock company; appropriately, he was most often cast as a "man on the street" interviewee who could never remember his name. Poston won an Emmy for his work on Allen's show in 1959, and that same year hosted the weekday TV game show Split Personality; this gig led to a long tenure as a guest panelist on other quiz programs. In films from 1953, Poston starred in a pair of offbeat William Castle-directed comedies, Zotz (1962) and The Old Dark House (1963). Poston's TV sitcom credits include such roles as prison guard Sullivan on On the Rocks (1975), absentminded Damon Jerome on We've Got Each Other (1977), cantankerous neighbor Franklin Delano Bickley on Mork and Mindy and Ringo Crowley on Good Grief (1990). In 1982, Poston beat out Jerry Van Dyke for his most famous prime-time TV role: caretaker George Utley on Newhart. Poston died at age 85 in April 2007, of undisclosed causes. Until the time of his death, he was married to Suzanne Pleshette of The Bob Newhart Show.