Trivia: Doing for bald men what no amount of Minoxodil ever could, Patrick Stewart won international fame for his portrayal of Captain Jean-Luc Picard in the popular TV series Star Trek: The Next Generation. Before earning immortality for his ability to handle a phaser convincingly, Stewart was known as a stage actor of great talent in his native Britain, where he had been performing since he was a teenager.Born in Mirfield, Yorkshire, England on July 13, 1940, Stewart was performing in various drama groups by the age of twelve. After leaving school at fifteen, he went to work as a junior reporter for a local newspaper. He quit the job after being told by the paper's editor that he was spending too much time at the theatre and not enough on the newspaper and worked for a year as a furniture salesman to pay for drama school. He was accepted at the Bristol Old Vic Theatre School in 1957, and two years later made his professional stage debut in a production of Treasure Island. Stewart went on to enjoy a prolific and acclaimed stage career, joining the Royal Shakespeare Company in 1966 and remaining with it for the next twenty-seven years. He also began to work on the big and small screens, and in the early 1980s started popping up in a number of popular films like Excalibur (1981) and Dune (1984). In 1987, he was chosen to play Picard on Next Generation. Certain that he would be fired from the series, Stewart reportedly refused to unpack his bags for six weeks. Although more than one snarky observer spent the first year of the series making idiot jokes about Stewart's bald pate, the actor--and the show--proved to be a hit. Stewart stayed with Next Generation for seven seasons, and then reprised his role for a string of successful Star Trek films: 1994's Star Trek Generations, 1996's Star Trek: First Contact, 1998's Star Trek: Insurrection and 2002's Star Trek: Nemesis.In addition to his work with the Next Generation series and films, Stewart also continued to work on the stage and in various films. In 1995, he had a hilarious turn as a flamboyant, acid-tongued interior decorator in Jeffrey, while in 1997 he tried his hand at intrigue with a part in The Conspiracy Theory. The following year, he appeared on the small screen, giving a terrific portrayal of the obsessive Captain Ahab in Moby Dick. Though a new Star Trek film every few years may not have been quite enough to keep the legions of sci-fi addicts satisfied, Stewart scored brownie points among fans by taking an impressive turn as Professor Charles Xavier in X-Men (2000), X2: X-Men United (2003), and X-Men: The Last Stand (2006). On the stage, Stewart enjoyed acclaim for a number of productions, particularly a one-man production of A Christmas Carol, which he performed in numerous theatrical venues around the world, winning numerous awards for his portrayal. He also earned extensive praise for his portrayal of Prospero in the Broadway production of The Tempest in 1996. Interestingly, Stewart, though appreciative of his star status, has repeatedly bristled at the notion that his lack of hair is "sexy," à la Yul Brynner. In regards to his reluctant sex symbol status, he has stated that he would much rather be judged on the basis of his acting ability rather than his appearance.

Trivia: Handsome, dark-haired, blue-eyed actor/director Jonathan Frakes is best known among Star Trek lovers for playing Commander William Riker in Star Trek: The Next Generation (1987-1994) and in the Star Trek feature films. Before joining the other legends of Gene Roddenberry's operatic future world, Frakes had worked on television and was a regular in two sudsy, short-lived series, Bare Essence (1983) and Paper Dolls (1984). The Pennsylvania native made his television debut in the 1979 movie Beach Patrol. Frakes has also appeared in numerous miniseries including Beulah Land (1980) and both installments of North and South (1985 and 1986). Frakes cut his directorial teeth with episodes of Star Trek the Next Generation and went on to helm other episodes in the Star Trek franchise, including Star Trek: Deep Space Nine and Star Trek: Voyager. He has also directed episodes of Diagnosis Murder and University Hospital, as well as the CD-ROM Star Trek-Klingon (1996). Frakes made his feature-film debut as an actor in Star Trek: Generations (1994). He made his big-screen directorial bow in Star Trek: First Contact (1996). His fame from Star Trek has led Frakes to host various sci-fi/paranormal-oriented documentaries including the UPN network's series Paranormal Borderline and the Fox network's popular special Alien Autopsy: Fact or Fiction.

Trivia: African American actor LeVar Burton was a 19-year-old UCLA drama student when he was catapulted into international fame. On January 23, 1977, Burton made his professional debut as young Kunta Kinte, the protagonist of the classic TV miniseries Roots. He went on to give first-rate performances in such TV movies as Dummy (79) and One in a Million: The Ron LeFlore Story (78). Among LeVar Burton's more conspicuous TV appearances in the past decade have included his hosting chores on PBS' Reading Rainbow and his regular role as sightless Lieutenant Geordi LaForge on the syndicated Star Trek: The Next Generation (87-92). He has continued playing Lt. LaForge in the feature film versions of Star Trek. Burton is also a published author. Aside from the Star Trek films, his big-screen credits include the biopic Ali. Burton has also directed a handful of projects including episodic television, the senior-citizen romantic comedy Reach for Me, and Miracle's Boys - a drama about three brothers growing up in difficult circumstances.

Trivia: African-American actor Michael Dorn received much of his on-the-job training as a semi-regular on the daytime drama Days of Our Lives. In the prime-time hours, Dorn was seen as Officer Turner during the final two seasons (1980-1982) of the weekly cop series CHiPs. He went on to a flurry of supporting-cast activity in such theatrical features as The Jagged Edge (1985). Then, in 1987, Michael Dorn donned mounds of facial makeup for what was to be his signature role: the U.S.S. Enterprise's Klingon officer Lt. Worf on Star Trek: The Next Generation (1987-1994).

Trivia: A black-eyed, exotic beauty from Great Britain, supporting actress Marina Sirtis is best known for playing the empathic Lt. Commander Deanna Troi on the Star Trek: The Next Generation series and in the feature films it spawned. Of Greek heritage, Sirtis was born in East London but raised in North London. Before launching her acting career with the Worthing Repertory Theatre, she studied at the Guild Hall School of Music and Drama. She appeared in many classical dramas with the theater, including Hamlet. A versatile performer, she has also appeared in musicals and, at one time, toured Europe in a production of The Rocky Horror Picture Show. Sirtis has extensive experience on British television and made her film debut in The Wicked Lady (1983) opposite Faye Dunaway. She had a major role in the Charles Bronson revenge vehicle Death Wish III (1985).

Trivia: Best known for playing the android Data on the syndicated television series Star Trek: The Next Generation and in its feature film spin-offs, Brent Spiner is also a talented singer. Before agreeing to play Data, Spiner had spent a decade on the New York stage. A native of Houston, TX, he was raised by his mother and her second husband (Spiner's real father died when he was a baby). The Quaid brothers Randy and Dennis were among his high school classmates and the three learned about acting under Cecil Pickett. Eventually Pickett would leave the school to take a teaching job at the University of Houston. Spiner enrolled there soon after graduation, but only remained at the university through 1974 when he decided to become a professional actor in New York City. Like many other aspiring thespians, Spiner had dues to pay in the form of taking a job as a cab driver before launching his career off-Broadway. He made his Broadway debut with Sunday in the Park With George opposite Mandy Patinkin. He made his television debut in a miniseries, The Dain Curse, and first appeared in films with a bit part in Woody Allen's Stardust Memories (1980). Spiner had a rare starring role in Rent Control (1981). He moved to Los Angeles in 1985 and launched a career as a television guest star on series and as a supporting actor in telemovies and miniseries. He most frequently appeared on the sitcom Night Court as the man who establishes a snack bar in the courthouse. He then successfully auditioned for the role of Data. Interestingly, Spiner claims no particular love for science fiction and was not a big fan of the original Star Trek. He says he mainly took the job because he didn't think the new series would last and because he needed to pay a few bills. The show lasted seven years also spawning a successful film series, and from the start, his was the most popular character on the show. In an effort to capitalize and satirize his nonhuman role on the show -- and perhaps to poke fun at actors William Shatner and Leonard Nimoy who capitalized on their Star Trek fame by each recording equally awful albums (can anyone forget Nimoy's bouncy rendition of "Bilbo Hobbitt"?) -- Spiner recorded his own album, Old Yellow Eyes Is Back (1991), with an 80-piece orchestra and fellow castmates Patrick Stewart, Jonathan Frakes, and Michael Dorn. Though the bulk of his fame comes from being Data, Spiner is not content to spend the rest of his career typecast and so occasionally plays other characters. His portrayal of prissy singing cruise director Gil Godwin was the funniest thing about Martha Coolidge's waterlogged Out to Sea (1997).

Trivia: Educated at Sweet Briar College, Diana Muldaur began her New York stage career in 1963, appearing in three Broadway plays--Seidelman and Son, Poor Biros and A Very Rich Woman--back to back. She also played a regular role in the Manhattan-based soap opera The Secret Storm. In 1968, Muldaur appeared in her first film, The Swimmer. Exuding a serenity and maturity beyond her years, she was generally cast in cool, sophisticated roles, often as a deliberate contrast to her less-polished male co-stars: for example, she was a regular on the TV series McCloud (1970-77) cast as rambunctious Marshal Sam McCloud's(Dennis Weaver) low-key lady friend Chris Coughlin. Conversely, she was vitriol personified as barracuda lawyer Rosalind Shays in LA Law (1989-91)--at least she was until her character took a spectacular season--ending plunge down an empty elevator shaft. Other TV programs that have utilized Muldaur on a weekly basis have included The Survivors (1970), Black Beauty (1972), Born Free (1974), The Tony Randall Show (1976), Hizzoner (1979), Fitz and Bones (1981) and A Year in the Life (1987). In addition, she is among the few actors who have shown up in both the original Star Trek (in two guest-star assignments) and Star Trek: The Next Generation (as Dr. Katherine Pulaski). Undoubtedly one of her more enjoyable (and least taxing) assignments was as the voice of Dr. Leslie Thompson on Batman: The Animated Series. Equally busy when not performing before the cameras, Muldaur is a past member of the SAG board of the directors. Diana Muldaur is the widow of actor James Mitchell Vickery.

Trivia: Wil Wheaton was eight years old when he got his first showbiz break, appearing with Bill Cosby in a Jell-O pudding commercial. The following year (1982), Wheaton was prominently featured in the voiceover cast of the animated The Secret of NIMH. During this same period, he made his Los Angeles stage debut in a Company of Angels Theatre production of All My Sons. His starmaking turn was as Gordie Lachance, the Stephen King alter-ego, in the 1986 feature Stand By Me (1986). He then went on to play the title role in the 1987 Disney TV-movie Young Harry Houdini. Wheaton gained worldwide fame (and a worldwide website) as ensign Wesley Crusher in the weekly TV series Star Trek: The Next Generation, a role he played from 1987 to 1990. After leaving STNG on his own accord, Wheaton transitioned into adult roles with appearances in Flubber and a slew of independent films, and in 2001 he launched Wil Wheaton Dot Net, a blog that quickly gained a considerable following while turning the veteran actor into something of a geek icon. Meanwhile, in addition to staying busy with voice roles in such popular videogames as the Grand Theft Auto series and Fallout: New Vegas, Wheaton also contributed vocally to such animated television series' as Naruto, Ben 10: Alien Force, and Batman: The Brave and the Bold. In 2009 he began riffing on his own public persona with a recurring role as a fictional version of himself on The Big Bang Theory, and in 2010 he joined the cast of the quirky Sci-fi Channel series Eureka as Dr. Isaac Parrish. The author of both Dancing Barefoot and Just a Geek, Wheaton is the brother of actress Amy Wheaton.

Trivia: With a father who was a prominent jazz trumpeter, a grandmother who danced at The Cotton Club, and a grandfather who was a member of the Nat King Cole Trio, it may seem a given that actor Wren T. Brown would pursue a career in show business. Despite the fact that Brown has been acting almost as long as he can recall, he nearly put his career in the spotlight aside for a shot at becoming a professional tennis player. Though Brown landed his first commercial appearance at age 11, the following six years would be spent running the courts before returning to commercials in McDonald's first "Chicken McNuggets" campaign at age 17. Following a television debut in Knight Rider and a feature debut in Robert Townsend's 1987 comedy Hollywood Shuffle, strong supporting performances in The Hidden (1987) and I'm Gonna Git You Sucka! (1988) eventually led to a leading role in the 1992 feature The Importance of Being Earnest (1992). His appearance in such popular sitcoms and dramas as Seinfeld, Frasier, The West Wing, and Ally McBeal gaining Brown ever-widening exposure, a Dramalogue Award for his role in a production of Shakespeare's As You Like It and a NAACP Image Nomination for his work in 2001's Jeffrey's Plan proved that he had what it took to make it on-stage as well. Moving into the new millennium with roles in Dancing in September (2000) and Biker Boyz (2003), Brown returned to the small screen with a supporting role in the 2003 sitcom Whoopie.

Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: The son of a Boston barber, Leonard Nimoy was a star at the age of 8, when he played Hansel in a children's theatre production of Hansel and Gretel. Nimoy remained with his local kiddie theater troupe until 16 (one of his directors during this period was Boris Sagal). After studying drama at Boston College and Antioch College, he took acting lessons from Jeff Corey at the Pasadena Playhouse. In films from 1950, Nimoy played the title character in the low-budget Kid Monk Baroni and essayed bits and minor roles in such productions as Zombies of the Stratosphere (1951), Rhubarb (1951) and Them! (1954). In between acting assignments, he held down a dizzying variety of jobs: soda jerk, newspaper carrier, vacuum-cleaner salesman, vending machine mechanic, pet-shop clerk, cabbie and acting coach. During his 18 months in Special Services at Fort McPherson, Georgia, he acted with Atlanta Theater Guild when he could spare the time. Back in Hollywood in 1956, he became virtually a regular at the Ziv TV studios, playing villains in programs like Highway Patrol and Sea Hunt. For a short while, he specialized in the plays of Jean Genet, appearing in both the stage and film productions of The Balcony and Deathwatch. Impressed by Nimoy's guest turn on a 1963 episode of The Lieutenant, producer Gene Roddenberry vowed to cast the saturnine, mellow-voiced actor as an extraterrestrial if ever given the chance. That chance came two years later, when Roddenberry signed Nimoy to play Vulcanian science officer Spock on Star Trek. At first pleased at the assignment, Nimoy came to resent the apparent fact that the public perceived him as Spock and nothing else: indeed, one of his many written works was the slim autobiography I Am Not Spock. After Star Trek's cancellation, Nimoy joined the cast of Mission: Impossible in the role of "master of disguise" Paris (he replaced the series' previous master of disguise Martin Landau, who ironically had originally been slated to play Spock). In the early 1970s, Nimoy began racking up directorial credits on such series as Night Gallery. He also made his first Broadway appearance in 1973's Full Circle. And, perhaps inevitably, he returned to Spock, thanks to the popular demand engendered by the then-burgeoning Star Trek cult. His initial reacquaintance with the role was as voiceover artist on the 1973 Saturday-morning cartoon version of Star Trek. Then Spock went on the back burner again as Nimoy devoted himself to his theatrical commitments (a touring production of Sherlock Holmes, his one-man show Vincent), his writing and directing activities, and his hosting chores on the long-running (1976-82) TV documentary series In Search Of.... Finally in 1978, Nimoy was back in his Enterprise uniform in the first of several Star Trek theatrical features. The Spock character was killed off in the second Trek picture The Wrath of Khan, but Nimoy stayed with the franchise as director of the next two feature-length Trek entries (PS: Spock also came back to life). He went on to direct such non-Trek filmic endeavors as 3 Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994). He also produced and acted in the 1991 TV movie Never Forget, and served as executive producer of the 1995 UPN network series Deadly Games. Perhaps because he will always have dozens of professional irons in the fire, Leonard Nimoy now seems resigned to being forever associated with the role that brought him international fame; his most recent autobiographical work was aptly titled I Am Spock. In 2009 he returned to his iconic role portraying Spock in J.J. Abrams smash-hit reboot of the Star Trek franchise. He next took on a recurring role in the sci-fi series Fringe, playing scientist William Bell. Nimoy made a final cameo appearance in Star Trek Into Darkness (2013). He died in 2015, at age 83.

Trivia: Canadian-born actor James Doohan trained for his career at New York's Neighborhood Playhouse and built much of his reputation upon his uncanny skill at foreign dialects. It was director James Goldstone who in 1965 suggested that Doohan audition for the supporting role of chief engineer of the U.S.S. Enterprise on Star Trek. After trying out a variety of accents during the audition, Doohan latched onto a Scottish brogue which tickled the fancy of Trek producer Gene Roddenberry. Thus, the chief engineer was dubbed Scotty -- or, more formally, Lt. Montgomery Scott (Montgomery happened to be Doohan's middle name). The actor remained in the role until Star Trek's cancellation in 1969, subsequently reviving the character for the 1974 cartoon series and the many theatrical films. Though he most assuredly had a career outside of Scotty (among many other projects, he was one of the stars of the 1979 Saturday-morning TV series Jason of Star Command), Doohan has frequently been called upon to play variations of the character in film and TV projects ranging from National Lampoon's Loaded Weapon 1 to Knight Rider 2000.

Trivia: African American actress/singer Nichelle Nichols was born in Robbins, a progressive Illinois community founded by blacks in the 1890s. Nichelle sang with the Duke Ellington and Lionel Hampton bands, then performed as a single in nightclubs. Garnering acting experience in supporting roles in such films as Mister Buddwing (1965) and Doctor, You've Got to Be Kidding!(1966), Ms. Nichols was cast in her signature role in 1966: Lieutenant Nyota Uhura on Star Trek. Much was made in the mainstream press over the fact that here was the first TV science-fiction series to feature a black regular. Much more was made on the set of Trek by Nichols, who issued public complaints about the paucity of her character's screen time. She also seethed inwardly whenever star William Shatner, laboring under the assumption that every move he made was for the good of the series, ordered that Nichelle's lines be cut or altered because they "didn't fit her character." At the end of the first season, Nichols was poised to quit the series. She was persuaded to stay--by one of Star Trek's biggest fans: Dr. Martin Luther King, who felt that Uhura was a positive role model for black women. Before the series' three-year run was out, Nichols made television history by participating in an interracial kiss with William Shatner (though the scene itself was "fudged" so as not to offend those bigots who found such things offensive). In all her subsequent Trek endeavors, including the six theatrical features and the 1972 animated cartoon spin-off, Nichols saw to it that Uhura's contributions were of ever-increasing importance. In recent years, Nichelle Nichols has been active in several educational and pro-social organizations, and has been a guest host on the Sci-Fi cable channel's Inside Space; in 1994, she published her autobiography, Beyond Uhura: Star Trek and Other Memories. In 1996 she made a memorable appearance at a roast of her former captain William Shatner.

Trivia: Asian-American actor George Takei studied architecture at the University of California and theatre arts at UCLA. Takei's first film appearance was in the 1960 Warner Bros. feature Ice Palace He appeared with regularity on series television in the early 1960s; his most controversial TV role was the son of a World War II traitor in the 1964 Twilight Zone episode "The Encounter," which was withdrawn from the series' syndicated package due to charges of misrepresentation from several Japanese-American groups. In 1966, Takei began what was to become a lifelong assignment when he was cast as chief navigator Hikaru Sulu on the evergreen science-fiction series Star Trek. He has extended this characterization into seven Star Trek feature films, as well as a Saturday morning cartoon series. Erudite and socially correct at all times, Takei nonetheless enjoyed a reputation as Star Trek's most aggressive on-set practical joker. The show's three-year run ended, and although Takai appeared in a smattering of pictures including The Green Berets and Which Way to the Front?, he didn't find steady work on screen until the Star Trek film franchise got under way in 1979. The ongoing love for the series, and Takai's own ability to stay in the public eye thanks in part to his ongoing association with Howard Stern's radio show, helped him find steady work throughout the nineties, eventually finding a very lucrative career using his quite recognizable, resonant voice in a variety of animated endeavors. He announced in a 2005 interview that he's been in a long-term relationship with another man for nearly 20 years, and this news did nothing to halt his career or the public's goodwill toward him. Among his most high-profile acting gigs apart from Star Trek have been the television show Heroes, okaying Le Duc Tho in Kissinger and Nixon, and playing a quirky economics teacher in the Tom Hanks directed Larry Crowne.

Trivia: Australian actor Chris Hemsworth became a favorite face in his native country when he wasn't yet a teenager, appearing on Australian TV shows like Neighbours and Home and Away in the early 2000s. He would go on to cross the pond, appearing in American movies like 2009's Star Trek, in which he played George Kirk. His next big splash in Hollywood would come in the years to follow, as he was cast as Thor in the big screen adaptations of The Avengers and Thor. The Avengers turned out to be a mega-smash, lending even more luster to his other films from that year including Snow White and the Huntsman and the remake of Red Dawn. In 2013, he played British race car driver James Hunt in Rush, before picking up the hammer again in Thor: The Dark World.

Trivia: After a series of supporting roles in productions including The Princess Diaries 2: Royal Engagement (2004), Just My Luck (2006), and Smokin' Aces (2007), actor Chris Pine shot up to lead billing when he signed for the coveted lead part of Captain Kirk in J.J. Abrams' much-anticipated reboot of the Star Trek franchise, released in 2009. He followed up that smash hit playing opposite Denzel Washington and a runaway train in Unstoppable. In 2011 he participated in the Star Trek documentary The Captains, and the next year he was in the romantic comedy This Means War, and the drama People Like Us.

Trivia: Rarely do beauty and talent combine in a form so complimentary to each other than in the case of actress Zoe Saldana. Whether gracefully gliding across the stage in dance, pounding the boards in a play, or lighting up the screen in such popular films as Pirates of the Caribbean: The Curse of the Black Pearl, the multi-faceted Saldana seems capable of achieving anything she puts her mind to. The New Jersey native was raised in Queens until the age of ten, when her family relocated to the Dominican Republic. The move proved a fateful blessing when young Saldana discovered her love of dance and enrolled in the ECOS Espacio de Danza Academy shortly thereafter, where she would study ballet, jazz, and modern Latin dance. Following her sophomore year in high school, Saldana and her family returned to the U.S. It was while completing her primary studies stateside that Saldana became involved with the Faces theater troupe, whose aim was to make a positive impact on teenage audiences by performing improvisational skits on such issues as substance abuse and sexuality. Involvement with another troupe, the New York Youth Theater, provided more traditional stage experience through such productions as Joseph and the Amazing Technicolor Dream Coat, and it was while performing with that troupe that a talent agent recognized great potential in the burgeoning actress. In 1999, Saldana received what seemed to be the ideal first film role when she was cast as a talented but snippy dancer vying for a spot at the fictional American Ballet Company in the dance drama Center Stage. Other film roles followed, including Get Over It, Snipes, and a featured part in the Britney Spears teen drama Crossroads, which offered Saldana's first major theatrical release. Widely panned by critics but performing moderately at the box office thanks to legions of Spears fans, Crossroads proved just the fuel needed to get Saldana's struggling feature career running. The following year, she was back on the big screen in Drumline, which found her once again utilizing her dance skills as a college dance major and love interest of the talented but conflicted protagonist. Though her subsequent role as the sole female pirate in Pirates of the Caribbean offered little screen time, her performance as the only woman able to cast a spell over Johnny Depp's charismatic Jack Sparrow offered one of the film's most memorable comic scenes. Back on the indie circuit, Saldana headlined the 2003 rock musical Temptation as a talented singer facing hard times. A brief turn as a by-the-books customs officer in Steven Spielberg's The Terminal found the charming Saldana slowly warming to an immigrant stuck in bureaucratic limbo (played by Tom Hanks).She was the female lead in Guess Who in 2005 and continued to work steadily. However, in 2009 she broke through in a big way when she was cast as Uhura in J.J. Abrams Star Trek reboot, and later that year she was the female lead in James Cameron's mega-smash Avatar. She followed that up with the action film The Losers in 2010, and was front and center in another action spectacle, Columbiana, the year after that. She reprised her role in the sequel Star Trek Into Darkness in 2013, and played Gamora in the 2014 smash Guardians of the Galaxy, ensuring her place in yet another action franchise.

Trivia: Handsome American actor Zachary Quinto clocked in as an almost constant small-screen presence from the early 2000s onward. A number of his roles constituted extremely memorable ones: he was chilling as Sylar, the mutant psychopath with a flair for mutilating his victims' gray matter, in the superhero-themed NBC fantasy-drama Heroes, and (on a wholly different note) lent an undercurrent of necessary gravitas to his portrayal of God (among other actors playing the role) on the cult favorite Joan of Arcadia. Quinto also helped federal agent Jack Bauer prevent the spread of a deadly plague in season three of the blockbuster Fox drama 24, but left the series thereafter. In 2007, Quinto signed for his first major cinematic role, and a plum one at that: a portrayal of a young Mr. Spock in the 11th installment of the popular franchise, released to U.S. theaters in May 2009 and directed by Lost co-creator J.J. Abrams. The film was a smash hit, bringing Quinto much public attention. In 2011 he had a major role in the Oscar-nominated drama Margin Call, and he joined the cast of American Horror Story that same year.

Trivia: Considering his previous experience essaying the recurring role of Julius Caesar on the popular small screen fantasy adventure series Xena: Warrior Princess, it seems only natural that New Zealand born actor Karl Urban would advance to slay orcs in Peter Jackson's epic Lord of the Rings trilogy. Appearing as a somewhat more rugged version of screen heartthrob Leonardo DiCaprio, it's obvious from his work in such films as The Price of Milk that the handsome young actor has the looks and the skills to make it on his own. A Wellington native and son of a leather goods manufacturer, Urban's first acting experience came with an appearance in a New Zealand television show at the age of eight. Though he would subsequently eschew an acting career until after graduating from high school, Urban was drawn back in front of the cameras when he was offered the opportunity to appear on an evening soap opera entitled Shortland Street while preparing to attend Victoria University. The acting bug was a bit harder to shake the second time around, and after a mere year at Victoria, Urban abandoned higher education for a career on the stages of Wellington. A relocation to Auckland found Urban gaining exposure on New Zealand television, and after a turn as a heroin addict in Shark in the Park, he made an impression in the 1998 Scott Reynolds thriller Heaven. An unaired pilot for a show called Amazon High was eventually incorporated into an episode of Xena, and Urban would next take to the screen for the gory horror outing The Irrefutable Truth About Demons. A turning point of sorts came when Urban was cast as the lead in the romantic fantasy The Price of Milk, and his performance as a milk farmer whose relationship is on the rocks found him gaining increasing recognition on the international art house circuit. Though mainstream American audiences would begin to get acquainted with Urban courtesy of his role in the seafaring horror outing Ghost Ship, his role in the Lord of the Rings: The Two Towers later that same year ensured that audiences would be seeing plenty more of him in the future. Following his escapades in Middle Earth, Urban would take to the stars opposite Vin Diesel in The Chronicles of Riddick (2004). Action roles continued to come at a clip when, after dodging bullets in the fast-moving sequel The Bourne Supremacy, Urban jettisoned to Mars to do battle with a particularly nasty breed of evil in the video game-to-screen adaptation Doom. From the far future to the distant past, Urban next laid down his plasma rifle to take up sword against his own people when he assumed the role of a Viking boy raised by Native Americans in director Marcus Nispel's 2006 fantasy adventure Pathfinder. He had his widest success to that point when he was cast as Bones in J.J. Abrams reboot of Star Trek, returning for the first of that franchise's sequel as well. In between he could be seen in the action comedy RED, as well as the 3D comic-book adaptation Dredd.

Trivia: Perhaps the busiest television actor on either side of the pond, British standup comedian-turned-actor Simon Pegg has become a ubiquitous presence to U.K. television viewers since making his debut in the popular 1995 comedy series Six Pairs of Pants. With his role as the writer and hapless title character in the British "zom-rom-com" (zombie romantic comedy) Shaun of the Dead, Pegg's popularity set sail for U.S. shores as well. A Glouchester native who completed his education at Bristol University before segueing into film and television, Pegg showed considerable promise as an actor in his early television appearances. It was during the production of Six Pairs of Pants that Pegg made the acquaintance of future collaborators Jessica Stevenson and Edgar Wright, and in the years that followed, the trio would find notable small-screen success in such efforts as Asylum and Spaced -- with the latter finding an especially strong following on U.K. television. Additional roles in Saturday Live, the outlandish Big Train, and as the lead in Hippies also served to boost Pegg's profile, and in 2001 he joined an impressive cast for a small role in Tom Hanks' acclaimed miniseries Band of Brothers. Though the majority of Pegg's exposure had been limited to the small screen at the dawn of the new millennium (save for brief appearances in such features as The Parole Officer and 24 Hour Party People), the prolific television comic made a successful leap to the big screen as the writer and eponymous character in 2004's Shaun of the Dead. Cast as a put-upon electronics-store employee who attempts to rescue his friend (played by Pegg real-life best friend and Spaced co-star Nick Frost), mother, and ex-girlfriend as the zombie apocalypse rages around them, Pegg drew big laughs with Shaun, and it wasn't long before the film was scheduled for stateside release. A film championed by the likes of even zombie-genre inventor George A. Romero for its witty writing and cleverly constructed chills, Shaun of the Dead found considerable success when released into stateside theaters in September 2004 (it would come as no surprise to fans of the film that it won the award for Best Screenplay at the 2004 British Independent Film Awards). Back on the BBC, Pegg joined I'm Alan Partridge star Steve Coogan in the bizarre genetically modified talking-animals comedy I Am Not an Animal before joining Shaun mate Peter Serafinowicz for a few episodes of Look Around You and making an appearance in the 2005 series of his favorite childhood television program, Doctor Who. A brief cameo in Romero's eagerly anticipated Land of the Dead quickly followed, and after lending his voice to the scatological computer-animated comedy Free Jimmy, Pegg would "go-Hollywood" in a very big way by joining the Tom Cruise team in Alias director J.J. Abrams' Mission: Impossible III.Though Pegg went on to play a substantial role in director Jean-Baptiste Andrea's Big Nothing shortly thereafter, the film was released straight to DVD in the U.S., and it wasn't until the release of Hot Fuzz that American audiences would once again get a good look at Pegg and pal Frost as they re-teamed with director Wright to parody the action-packed police thrillers that fueled their imaginations as impressionable young children. Pegg would go on to enjoy sustained success in the comedy world, appearing in movies like Run, Fatboy, Run, and Paul. He would also cement himself into a hugely popular franchise, taking on the role of Scotty in the J.J. Abrams reboot of Star Trek.

Trivia: Following her breakthrough in 1988's Beetlejuice, Winona Ryder emerged as one of the most celebrated actresses of her generation. Adept at playing characters ranging from depressed, angst-ridden goths to Edith Wharton debutantes, the saucer-eyed, porcelain-skinned Ryder has attained critical respect in addition to widespread popularity.Ryder was born in and named after the city of Winona, MN, on October 29, 1971. The daughter of communal hippies and the goddaughter of LSD guru Timothy Leary, she grew up on a commune in Northern California. Ryder's family moved to Petaluma when she was ten; following regular abuse from her classmates, who targeted her for her unconventional, androgynous appearance (she was once jumped by a group of boys who had mistaken her for a gay boy), she was home schooled. At the age of 11, she joined the American Conservatory Theatre, and was soon trying out for movie roles. An audition for the part of Jon Voight's daughter in Desert Bloom failed to yield a role but did land the actress an agent, and at the age of 14, Ryder -- who had changed her last name from Horowitz -- made her film debut in Lucas (1986).Finding popularity with her turn as a suicidal teen who has more in common with the ghosts living in her attic than with her yuppie parents in Tim Burton's black comedy Beetlejuice, Ryder quickly became one of the most steadily employed actresses in Hollywood. She continued to corner the alienated and/or confused teen market with starring roles in a number of offbeat films, including the 1989 cult classic Heathers, Great Balls of Fire (in which she played Jerry Lee Lewis' 13-year-old bride), Burton's Edward Scissorhands, and Mermaids.The early '90s saw Ryder begin to branch out from teen roles toward parts requiring greater maturity. Following a turn as a taxi driver in Jim Jarmusch's Night on Earth (1991), the actress starred in Francis Ford Coppola's lavish adaptation Bram Stoker's Dracula and then went on to play Antonio Banderas' lover in the critically disembowelled The House of the Spirits. Greater success came with Martin Scorsese's 1993 adaptation of Edith Wharton's The Age of Innocence. Ryder won a Best Supporting Actress Oscar nomination for her portrayal of Daniel Day-Lewis' picture-perfect wife, and in the process started getting taken seriously as an actress capable of playing more adult characters.A second Oscar nomination -- this time for Best Actress -- followed the next year for Ryder's portrayal of Jo March in Gillian Armstrong's adaptation of Little Women. The same year, the actress took on an entirely different role in Reality Bites, in which she played a twentysomething suffering from post-graduation angst. Similar twentysomething angst followed in How to Make an American Quilt (1995) but was then traded for Puritanical adultery, hair extensions, and another turn with Daniel Day-Lewis in Nicholas Hytner's 1996 adaptation of The Crucible.Following a starring role in the highly anticipated and almost as highly criticized Alien Resurrection in 1997, Ryder had a turn as the waif-ish object of Kenneth Branagh's affections in Woody Allen's Celebrity. She managed to escape much of the criticism leveled at both of these films, and in 1999 and 2000, she reappeared with lead roles in two films, Girl, Interrupted, in which she played a mental institution inmate in the female answer to One Flew Over the Cuckoo's Nest, and the supernatural thriller Lost Souls. Winona shed her skin once more in 2002, when she took the romantic lead in Mr. Deeds, a typically goofy Adam Sandler vehicle. This was a surprising move for Ryder, who, despite making a niche for herself in nearly every imaginable genre, has rarely delved into the world of madcap romantic comedies. Of course, 2001-2002 wouldn't be complete without mention of Winona's inexplicable thievery; the young millionaire was convicted for stealing $5,500 worth of merchandise from a Beverly Hills Saks Fifth Avenue. 2003, meanwhile, meant more unfamiliar territory for Ryder -- she left fiction behind for a part in the documentary The Day My God Died. An uncredited turn as a warped child psychologist in director Asia Argento's The Heart is Decietful Above all Things showed without question that Ryder was still willing to shake things up on the silver screen, and in 2006 she would play an insurance claims investigator assigned the task of investigating a curious death in the aptly titled comedy The Darwin Awards. Later that same year, Ryder would be rotoscoped for a supporting role in director Richard Linklater's animated adaptation of the Philip K. Dick novel A Scanner Darkly. The next few years found the maturing actress eschewing Hollywood for roles in smaller independent features such as Sex and Death 101 and David Wain's The Ten, and on the heels of a brief yet memorable turn as Spock's mother in 2009's Star Trek, Ryder channeled her dark energy into the role of a former ballet ingenue on the decline in Darren Aronofsky's Black Swan. Meanwhile, in 2012, a voice role in Tim Burton's canine creature feature Frankenweenie found Ryder reuniting with the director who helped launch her to cinema stardom in the late-1980s.

Trivia: A popular and easygoing Australian comedian whose keen adaptability lent itself well to aggressive-oriented early film roles, Eric Bana's hatred of firearms may seem ironic in contrast to the Aussie funnyman's fledgling film portrayals of real-life mass murderer (and popular cult celebrity figure in the land Down Under) Mark "Chopper" Read (Chopper [2000]) and a military man caught in heated battle on a rescue mission (Black Hawk Down [2001]). Born and raised in Melbourne, Australia, Bana's career as a comedian began while working as a bartender at his native city's Castle Hotel in 1991. Television offers began flowing in a few short years later, and in 1993, Bana took his sharp wit to the small screen as he assumed the roles of both writer and performer on one of Australia's top comedy programs, Full Frontal. His star on the rise, the increasingly popular comedian made audiences laugh even harder when he co-produced and starred in his own 1996 comedy special Eric (later to become a series) and kicked off The Eric Bana Show Live the following year. 1997 proved to be a busy year for Bana as he also made his feature debut in The Castle, though all of his hard work would pay off when he took a feature role in Australian television's Something in the Air in 2000 and was voted Australia's Most Popular Comedy Performer at the Logies. Bana next took on the role of notorious Aussie author/murderer Mark "Chopper" Read in Chopper (2000). Hollywood was soon calling for Bana, and he answered by accepting a role in the tense true story of the Battle of Mogadishu, Black Hawk Down, followed by the title role in Ang Lee's The Hulk. While Lee's adaptation of the comic would be universally panned, Bana continued his upward trajectory, playing a major role in the acclaimed film Munich, playing the head of the squadron assigned to avenge the murder of Israeli athletes at the 172 Olympics. He then showcased his range by playing opposite Drew Barrymore in the Curtis Hanson film Lucky You, followed by a turn as infamous Henry VIII in The Other Boleyn Girl. Bana would round out the next few years with roles that cemented his position in Hollywood, like Star Trek, Funny People, The Time Traveler's Wife, Hanna, and Deadfall.

Trivia: A Russian immigrant who came to the United States with his figure-skater parents when he was merely six months old, Anton Yelchin found success in his new land since making his acting debut at the age of nine in A Man Is Mostly Water (1999). Acquiring an impressive résumé by the ripe old age of ten, Yelchin appeared in no less than three major motion pictures in 2001 alone, including 15 Minutes, Along Came a Spider, and Hearts in Atlantis opposite Anthony Hopkins. He transitioned to older roles, taking the lead in Alpha Dog (2006) and playing the title character in Charlie Bartlett (2007). In 2009, Yelchin assumed two famous roles: Pavel Chekov in Star Trek (a role he'd reprise in two sequels) and Kyle Reese in Terminator Salvation. He voiced Clumsy Smurf in the 2011 big-screen version of the film and several subsequent sequels and shorts. Yelchin died in 2016, at the age of 27, after a freak car accident.

Trivia: It's not every day that an unknown actor lands a role that will allow him to deliver a line that enters into the public lexicon and still manages to avoid the "Where's the beef?" syndrome of being forever linked with the resulting catch phrase, but with his role as the "MILF" guy in the breakout comedy American Pie, actor John Cho somehow managed to do just that. With stage skills that aren't limited to Shakespeare (Cho spends his off-time touring with his band Left of Zed) and a killer sense of comic timing onscreen, the fresh-faced Korean actor has transcended his status as Asian-American "It" boy to become one of the most promising stars of his generation. A move from Korea to Los Angeles found young Cho's interest in acting piqued when he began studying English literature at the University of California, Berkeley, and after taking to the boards in a Berkeley Repertory Theater production of The Woman Warrior (which would subsequently move to Boston's Huntington Theater and Los Angeles' James Doolittle Theater), the up-and-coming talent made his screen debut in director Justin Lin's decidedly bizarre 1997 feature Shopping for Fangs.Subsequent years found Cho essaying supporting roles in such high-profile features as Wag the Dog and Bowfinger, with his breakout role in American Pie preceding roles in such widely seen films as Bowfinger, American Beauty, Evolution, and the Chris Rock comedy Down to Earth. Though the films may not have offered Cho the most memorable parts, they kept him familiar with audiences until he reprised his most famous role to date in the hit sequel American Pie 2. In 2002, Cho truly got to show his talent in director Lin's critically acclaimed indie effort Better Luck Tomorrow. Following a crew of high-school-aged Asian-Americans who use their reputations as studious bookworms to mask their criminal activities, the movie proved without a doubt that Cho had what it took to make it in film. More supporting roles in Big Fat Liar and Solaris were quick to follow, and after rounding out the "American" trilogy in American Wedding, it was burger time for Cho as he played one of the titular characters (opposite Van Wilder's Kal Penn) in the 2004 comedy Harold and Kumar Go to White Castle. The next year, Cho went on to essay a supporting role on the short-lived chef sitcom Kitchen Confidential before returning to feature films. Over the coming years, Cho would continue to reimain an active force on screen over the coming years, appearing on shows like FlashForward and as Sulu in the J.J. Abrams Star Trek franchise.

Trivia: Distinguished by his versatility and uncanny ability to immerse himself in the characters he portrays, filmgoers may recall Clifton Collins Jr. from his role as the intimidating thug Cesar in 187 (1997) or from his numerous other roles in such films as the Hughes brothers' Dead Presidents (1995) and Steven Soderbergh's acclaimed Traffic (2000). A native Angeleno, Collins Jr. is the grandson of actor Pedro Gonzalez. One of the first Mexicans to find Hollywood success, Gonzalez appeared alongside John Wayne in various Westerns and war films. Sometimes credited as Clifton Gonzalez Gonzalez in honor of his grandfather's name, Collins Jr.'s range has found him work in a rich variety of films throughout the 1990s both in television and film. Other roles in The Replacement Killers and Disney's The Wonderful Ice Cream Suit (both 1998) showed great promise for a young actor on the verge of stardom heading into the new millennium. Supporting roles in such wide-release features as The Last Castle, and The Rules of Attraction found the young up-and-comer slowly gaining the momentum to set an enduring career in motion, and in 2004 Collins appeared opposite hot-property Eion Bailey in the thriller Mindhunters and the alcoholism-themed comedy drama Glory Days. That same year also found Collins taking a role in director Troy Duffy's Boondock II: All Saints Day - the eagerly anticipated follow-up to his 1999 cult hit The Boondock Saints.

Trivia: Actor Robert Costanzo is generally typecast an urban Italian-American, prone to mouthing such lines as "You gotta problem with that?" Costanzo began popping up with regularity in such films as Saturday Night Fever in the late '70s. The first of his many TV-series stints was as plumber Vincent Pizo, the blue-collar father of Travolta clone Joe Piza (Paul Regina), in 1978's Joe and Valerie. He retained his man-of-the-people veneer as maintenance engineer Hank Sabatino in the weekly series Checking In (1980), Lt. V.T. Krantz in the 1990 TVer Glory Days, and the voice of Detective Bullock in Warner Bros.' Batman: The Animated Series (1992). In 1995, Robert Costanzo joined the cast of television's NYPD Blue as Detective Giardella.

Trivia: In the late 1800s, his maternal great-grandparents published the first Pakistani magazine for women. Parents are actor-writer-directors. Originally considered majoring in business and economics in college, but switched to theater. For his Iron Man screen test, director Jon Favreau had him and costar Robert Downey Jr. do the same scene 10 different ways. Played the villainous Raza, who kidnapped and tortured the lead character, in Iron Man (2008). Upon reading the screenplay, he convinced the filmmakers to make the bad guys mercenaries instead of the originally scripted Muslim terrorists. Son, Javan, had a small role in Iron Man.